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Better Read Than Never: Wendig’s STAR WARS: AFTERMATH

[7-minute read]
“BRTN” is a periodic feature on JH.com, in which I write reviews/appreciations of books that are not exactly current. Today’s entry is, for me, rather timely; my last was on a John Updike memoir from 1989. The trouble is, time waits for no man — and neither does Chuck Wendig.

The second Death Star is destroyed. The Emperor and his powerful enforcer, Darth Vader, are rumoured to be dead. The Galactic Empire is in chaos….Optimism and fear reign side by side.

And while the Rebel Alliance engages the fractured forces of the Empire, a lone rebel scout uncovers a secret imperial meeting…

 

This is how Star Wars: Aftermath by Chuck Wendig begins. If you need more background information than that, then you may not have been living in this hemisphere during the last number of decades, and maybe this 2015 novel isn’t for you. Wendig – about whom more later, but let’s just say now that he is phenomenally productive, and a review like this is at least three novels behind  – adds full-length sequels in each of the next two years. The seemingly unbreakable Star Wars Rule of Threes continues its reign. Together, the trilogy forms part of a “new canon” of official SW material beyond the films themselves. Aftermath and its children form a bridge between the events of films over 30 years apart: 1983’s Return of the Jedi, and the grizzled-Han and dowager-Leia reunion in The Force Awakens (2015). (Yes, I know, other things happened, too. Luke, for example. And ‘droids. And light-saber battles.) I’m not an SW junkie, and don’t go near fan-sites or extended universes or fundamentalist skirmishes over what is and should be in the Star Wars canon. But like this novel, I do.

It is fast, inventive, breathless and constantly in the present tense, a Wendig trademark. Unknown characters appear in rapid succession, but with references to more or less familiar faces and names from the movies (Admiral Akbar, who does not age at all; C3P0, with upgrades). We know where we are, even when jetting into new worlds. On Coruscant, in one of Wendig’s several “Interludes” — short set-pieces that add context and flavour, and offer a place for him to stow away extra ideas — emboldened former Imperial citizens pull down a statue of Palpatine; see Hussein, Saddam, formerly of Iraq. Imperial Admiral Rae (she’s a woman!) Sloane has a toady and untrustworthy adjutant typecast to remind us of the unfortunate official Force-choked by Vader in the original Star Wars film. Although Wendig takes bitter criticism (surprise!) from many of the Star Wars faithful, Aftermath is an agreeable confection that blends the familiar with the rather wonderfully invented bridgework, with only the occasional bump.

The Empire is going, not gone. Akiva, as tropical a planet as Luke Skywalker’s Tattooine was dry, is now again crime-ridden, with ex-Imperials and ganglords competing for the spoils.

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Joan Didion (and Company: on writing and encouragement)

Joan Didion and John Gregory Dunne, in 1972. (from New Yorker magazine)

                       [3-minute read]

Here’s a foolish thing, a very 20th-century sort of stinkin’ thinkin’. But worry not, it ends with two great women (and one fine husband, not me) sending out a peculiar but quotable encouragement, and some of us might listen.

I love writing, or having written, or at least the romance of writing. The Canadian Broadcasting Corporation, the dearly beloved Mother Corp of all Canucks leftish, artsy and true, has a long-running radio program called “Writers and Company”. It’s an hour-long conversation between the quietly enthusiastic, impeccably prepared Eleanor Wachtel and a superb range of authors: novelists, playwrights, essayists, poets, from Zadie Smith to George Saunders to Arundhati Roy. These are three of my recent listens, but I wouldn’t likely have heard them if I’d stayed in one particular mental rut.

For me, Writers ‘n’ Co was, for the longest and silliest time, mostly an occasional, accidental listen, often when I happened to be in the car and remembered what time it was: specifically, the Sunday 3 pm slot on CBC’s Radio 1, where Wachtel has been asking her terse but evocative questions since 1990. I’d catch part of a conversation, sometimes the whole thing if there was a writer known to me, and I’d regularly and fervently resolve to never miss another; I found each episode thrilling as a teacher of readin’ ‘n’ writin’, and began to connect it to my own spastic undertakings as a scribbler. (A gutsier, more daring me might have blustered, Wachtel’s gonna interview ME one day. Well. Maybe not. I finally did meet her, briefly, a year or so ago. She was plainer and funnier than she had always sounded to me, that sombre but voluptuous voice teaching me from tinny speakers.)

But I was never much of a planner, and the number of interviews I caught was small compared to the torrent of writer-talk that was available.

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More of a Skirmish. Fray Rejoined.

[2-minute read]

Easy title, tough challenge. Here we go.

I’m back.

There are endless things to write about, and an infinite number of slimy ways to wriggle away from keyboard, from pen, from the front lines. (Yes, I’ve been meditating on courage, and how life’s demands so often exceed personal supply. I can’t want that.) Courage. My word.¹ When I think of writers I heart the best – and it’s KV² I come back to ever and anon – it’s sometimes ‘how did they do that?’ (technically, commitment-wise) but mostly it’s ‘how did they do  that?’. That is, what allows or compels an artist to be so bloody BRAVE, or reckless, or whatever it takes to tell the whole truth?

¹ Courage: Gord Downie‘s word. (And Hugh McLennan’s.) Go, Gordon.
² That’s Kurt Vonnegut. Hi ho.

I’ve re-read The War of Art. I’ve had a big birthday. I’ve said ‘no’ to a major time commitment to an activity I love well beyond reason and balance. I’m summoning resolve. I plan to act like a professional. I’m ready to write again and more and still and daily. The title speaks of my renewal of effort as “more of a skirmish”, in the wider lens of the social insignificance of whatever I do, and because I lean hard into self-deprecation and other forms of egocentrism. But it’s big news in my little corner; this is my Olympics. This is struggle. Here is my war – one of ‘em, anyway. That will mean Way More Words from the Howdy Home Office, and some of them will appear here.

Hurray for here!

And if you’re a subscriber, bully for you, and thanks for reading. (And if you’re just stumbling into this, there’s a whole lot of earlier stuff on sport and men, culture and books, faith and fandom, learning and remembering, edges and ledges and the odd bit of ecstasy.)

Things That Do No Harm

[3-minute read]

It’s a day for making lists. It’s June, after all.

Mind you, I could be writing about another especially brutal bomb in Kabul, or the abdication of ecological (or just plain logical) leadership by influential nations, or the special kind of impotent cowardice coupled with childish indignation that moves a hateful little human to scrawl hateful toilet-stall names on a rich black man’s apparently uppity home. But not today.

It’s a green day in June. I spent some time thinking – she made me do it, one of those gentle coaching shoves – about harmlessness, which apparently isn’t so far from cleanliness, or learning, or trees, or spirit. I’ve made a list of harmless things, which might even be worth less faint praise than that. Like:

+ Looking for new beginnings in all the untimely neighbourhoods. Such as, oh, June.

+ Walking among trees and alongside water.

+ Railway bridges, even where the trains are extinct.

+ Saying “good mornin’” to random bikers, walkers and drunks.

+ Wearing an old synthetic baseball jersey – still brightly white! – with a big ol’ 22 on the back, going way back to the last time I was a reasonable facsimile of an athlete.

+ Being one layer short on a morning-walk-that-shouldn’t-have-been-that-cool-‘cause-it’s-JUNE-fer-cryin’-out-sideways! I guess it’s chill to be chill, though.

+ Writing and saying things like “for crying out sideways” and “keep your eyes peeled for my phone” that confirm my status as a genuine relic of a bygone age. I’m a fossil.

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Why These Seven?

(Two responses to this question. One is my apologia, my reasons for concerning myself so — and so often — with seven people I’ve never met. The other is for the Iranian government to make. How do you solve a problem like the Baha’is? They need new answers, to both questions.)

They have endured a lot since this photo was taken.

There are countless political prisoners in the world. We call them the “unjustly accused”, “prisoners of conscience”, and they’re everywhere. There are likely some in North American and European jails, too, lest we get too self-righteous. More commonly, though, “First World” inmates, even if wrongfully held, face punishments for minor crimes based on class or racial bias. A number of Canadians, one of my sons among them, make their warehoused fellow citizens a personal cause. I don’t. Nor do I devote much time to the, what, tens of thousands? hundreds of thousands? of souls locked up by tyrannical regimes simply because of opposition, real or paranoically imagined. As my mother-in-law says, pick only one or two lost causes to get behind.

So why was I writing little-read protests about the Yaran (Farsi for “friends”), the “Baha’i Seven”, two years ago, and 18 months ago, and again now? Why flood the Inboxes of my hearty band of Twitter followers with news of the continued imprisonment of this small group in an Iranian prison? Why these Seven? I’ll start with the lamest of my reasons, which also happens to be the most emotionally compelling. This is PERSONAL:

Because they’re Baha’is, and so am I. Global citizens, we in the Baha’i community are called to be. Lovers of humanity, and not simply of our own family, congregation, tribe or nation. But I can’t help it: I identify with these people because we share a spiritual choice, though our cultural backgrounds differ widely. Barely one in a thousand citizens of Earth belong to this community, and it is natural to stand up for your own. Necessary.

Because there’s no other way to fight. Baha’is don’t oppose their governments.

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There’s a party in my mind / And I hope it never stops

Party at Farm Boy! It’s my party, and I’ll write if I want to². (Behold: the second obscure pop-musical reference. Didja get the first¹ one?)

I don’t always write when I want to. I am not, and have never been, blessed with my bride’s Do It NOW! gene, at least when it comes to things requiring effort. TV, and fridge doors (see: opening of), and thinking about sports, and reading whatever falls under my eyes – these things come as naturally as does scrolling through a Twitter feed long after my original sharing-impulse or micro-news hunger has expired. Yes: a fresh entrant to this category of Indomitably Easy Activities.)

But I am writing now.

I sit upstairs at a high-end supermarket called Farm Boy. It’s across the street from Tom the Mechanic, where my wheels are getting readied for summer. Breakfast has merged into lunch. I like buying groceries and eating them at the store. There’s even a chance to be healthy. (-er)

(And yes, music historians, the title was a pop lyric, too. I now have Spotify³ on my phone. Most of my downloads are decades old, but surely “To Pimp a Butterfly” will join my invisible milk-crate library.)

It’s my mother’s birthday, and I’ll cry if I want to. I don’t think I will, though. She’s been gone 10 years now, and I’m easy about it. I will admit, though: when I went by the asparagus downstairs in the produce department, I pronounced it “Ass-per-AG-us” in my head, because that’s what Enid just about unfailingly called it. She was never a teacher – heck, never went to university, why would she? She was female! – but reliably pronounced words in such a way as to make their spelling graspable. “Skizzers” for scissors, “fatty-goo” for fatigue, and so on and on. Whether this was with her five kids’ spelling tests in mind – we all aced ‘em, always – or just a mock-fashionable bit of extreme word-nerdery, I couldn’t say. Ennyhoo, as she also serially concluded: Hi, Mum. You had an effect.

Mum was a Christian, less nervous about death than about tidying up before Mrs. Adams, our housekeeper, got to our place for a weekly clean. She was ecumenical before it was cool, absolutely friendly with those Presbyterians and United Churchers, and dismissive of attempts by an earnest young Baptist pastor to condemn her weekly bridge games as the devil’s playground. When one of her sons was allegedly barred access to the gates of heaven because of consorting with Baha’is, she sniffed, “Well, it won’t be much of a heaven for me if my kids can’t go there.” She hated confrontation, but as I recall it, her comment snuffed that pseudo-theological debate right quick.

Maybe my mother would have liked Benjamin Sledge. I don’t know Mr. Sledge, but in the way of Internet Things I read a blog post of his on a stealth-Christian site called Heart Support. In the article, “Let’s Stop Pretending Christianity is Actually Relevant, Okay?”, Sledge jumps from the Vans Warped Tour (a travelling rock music fest with faithful underpinnings) to 2nd-century Rome, and then back to a moral landscape – modern America – that obviously troubles him. What troubles him most? “Christians”, mainly, both the mainstream don’t give it a second thought kind, on one hand, and the minority have you accepted Jesus Christ as your Lord and Saviour and hated gays and abortionists enough? brand. It’s unclear which type is the supreme irritant, but he “welcomes”, actually seems to long for, the growing irrelevance of the Christian faith in modern America. He prefers the heroic, supremely loving and sacrificial expressions of the Gospel that he finds in early Roman history, the reason Christianity originally achieved a civilizing groundswell of popularity in the centuries following the life of Jesus. Ennyhoo: you can read the piece yourself. It’s quite refreshing, especially if you reflexively shudder at the excesses of faith-gone-political. It’s not that, not at all. It gives Christianity a good name, actually.

I’m writing in a Farm Boy supermarket, and yes, it’s been awhile since I got anything Out There. And Mr. Sledge has been pleasantly irritating me: a small snippet of the “Relevant” piece has been a brain-worm, burrowing about because of its significance and its craftiness. So thoughtful and cleverly written it was, in fact, that I Actually Wrote It Down in my sorely neglected paper’n’pen journal, as well as a handy just-in-case-I-get-the-typing-itch Word doc. Sledge refers to a simple, under-acknowledged bit of cultural oddness: people hitting other humans over the head with a book they consider Holy, the Bible. Who DOES that? he basically asks. And what in the world do they think they’re DOING?

“It’s a strange practice to ask people who don’t hold the same beliefs as you to conform to your morals because you quoted a book they don’t read.”

Not bad, eh? One thing I’ve loved about the Baha’is is that they bend over frontwards and backwards to avoid using sacred writings as hammers. Another story.

It’s good to write. Sledge’s article did come my way via Twitter – not that there’s anything wrong with that — but reasoned faith and my mother’s ever-living example (for example), are far less momentary. And all these things — along with old tunes, and squeaky-cheese curds ‘n’ apples for lunch, and sunshine on a day of swapping out the snow tires — got stirred into a bloggy stew. I feel good! Like I knew that I would.₄

And if you’re a long-time reader here, thanks for sticking around. I know this could have gone in the He Said/ She Said section, but as I said:

It’s my party.

¹ “Memories Can’t Wait”, by Talking Heads, from their 1979 album Fear of Music. Spooky good. I like old music, but this doesn’t even feel dated.
² “It’s My Party”. It’s the 1963 Lesley Gore version that I hear, one of my big sisters’ 45s. Quincy Jones’s first big hit, the writer learned!
³ Spotify is tremendous, but I still haven’t given away my vinyl yet, even if it’s no longer in milk crates that I can hunch over as I read liner notes and enjoy album art. I miss the bigness and tangibility of LPs, not gonna lie.
₄ James Brown, of course! 1964. The horn break — da-dum da-dum da-dum DA — was included on the imaginary spoken-and-sung-word version of this post. First heard this on the 8-track player of my high school coach’s faux-wood-sided beat-up station wagon. That was a trip, Donny.

Kris McDivitt Tompkins (on getting out of bed and doing something)

McDivitt Tompkins in southern Chile: a woman and her love and her money. (Pic from The Guardian newspaper and Getty images.)

McDivitt Tompkins in southern Chile: a woman and her love and her money. (Pic from The Guardian newspaper and Getty images.)

I’ve been following this woman’s career for, oh, about 12 minutes now. She was born rich and privileged (even more than, say, me), and also made her own millions as CEO of the outdoor-clothing brand Patagonia. She married, in her mid-40s, another rich dude/outdoorsy entrepreneur-turned-Deep Ecologist named Doug Tompkins, and the two of them decided to pour their money into conservancy and rewilding, into gifts to humanity and the planetary future. (It will take you less than 12 minutes to read this fine Guardian article about her and her recently-deceased partner-in-sublime. The Guardian does some of the best eco-advocacy journalism going.) They bought up huge swathes of land in Chile and Argentina — yup, it’s Patagonia — with no plans other than to preserve them and build local capacity, with The Land as the prime asset and The People as its custodians. It’s beautiful.

I want you to hear from her. The following comes from the above-mentioned article on McDivitt Tompkins, and it seems to me that this wealthy giver, someone who is using her powers of privilege for good, advises us well. Wake up and do good stuff. Yes.

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Start Spreadin’ the…

You asked for it.  (Photo by Getty Images)

You asked for it.
(Photo by Getty Images)

WHAT, spreading the NEWS? (I hear you, Mr. Sinatra.) It IS big news this morning.

…rumours? Everybody has his theory, everyone has her opinion. They’re like anuses, as the saying is.

…wings? A new freedom for the ordinary people of America? The victory of the Little Guy against the Political Elites? (How a millionaire’s son convinced millions that he is One of Them is breathtaking stuff, people.)

um, other sorts of wings? Air Canada B&B? Should I be advertising the small extra bedroom in my basement at inflated prices? Are the promised (or threatened?) refugees from this American election already lining up to emigrate to the Civilized North?

…fear and alarm? Ladies and gentlemen: President Trump! And listen: never doubt the ability of frightened people to do things against their own best interests.

…spreadin’ the Jello™? I remember a time when Bill Cosby was the Biggest Joker and not the Supreme Punchline, and this morning I recall his “Chickenheart” bit. It was a long, woolly tale of his childhood, in which his solution to the delicious but overwhelming terror he felt at listening to scary tales on the radio was, yes, to smear Jello on the floor so that when the evil Chickenheart That Ate Philadelphia got to Cos’s place, he’d slip and fall down. Start smearin’ the goos… (If you still don’t get this reference, repeat that line to the tune of Paul Anka’s (Frank Sinatra’s) “New York, New York”, where Hillary Clinton is even now binge-eating Ben & Jerry’s in her fuzzy Barbie pyjamas.)

 ***

Yeah, I’m shuddering, shaking my head in disbelief, pulling out my copy of Charles Pierce’s Idiot America (of which, here is “premise no. 3”: “Anything can be true if someone says it loud enough”). Pierce’s book wasn’t intended to say that all Americans are dumb, though my scary radio show in Ottawa this morning was filled with Canadians incredulizing ả la “How could they elect somebody like that? How could they be so stoopid?” And I go back to 1960s Cosby, when he links the Chickenheart story to another long childhood reminiscence of what happens to an innocent wino who gets run over by a wildly spooked Fat Albert. In the hospital emergency room of Cosby’s ridiculously funny (and rather sweet) story, his Jello-stained father commiserates with the steam-rolled wino, agreeing that terrified people are pretty hard to deal with…

So I’m whistling in the dark. I’m writing headlines, some of which amuse me.

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Hugh Kenner (on taking the best stuff for granted)

Thinking of “Better Read Than Never” – my cleverly named series of reviews on books that are “yesterday’s news” (but not for me) – my tendency to untimely reading isn’t limited to novels. My mind being what it is, I decided to finish off the November 2014 edition of The Atlantic, an interest-packed number of a great old magazine. A James Parker piece on the “rock-star poet” Dylan Thomas, among many other things the inspiration for Robert Zimmerman’s stage name¹, came first, a welcome re-read. What I hadn’t noticed the first time through, or what at least didn’t make much of a dent in my memory bank, was a startlingly great quote from Hugh Kenner.

¹ So far, I have reserved judgement on Bob Dylan’s winning of the Nobel Prize for Literature, but I’m leaning towards The nostalgia and narcissism of the Boomer generation triumph again. Interesting choice. People paid attention, but I’m not sure it does anything for literature, which continues to have a declining coolness index unless I’m wrong (I hope I’m wrong).

Kenner – yup, news to me, too – is described in the Atlantic piece as a student and explainer of Marshall McLuhan, though I’ve come to discover that he was much more than that. Alongside McLuhan and the uber-educated imagination of Northrop Frye², the I hardly knew ye Kenner was in fact one of the great critical minds of 20th-century scholarship, a prodigious writer and one of the great Wise Guy Canadians. (True to form, I’m now bandwagon-jumping on to an e-book platform of his The Elsewhere Community (1998), an account of his travels to learn from and be among the greats of the arts and sciences.³)

² I was lucky enough to have a remarkable English teacher in high school, Pete Hill, who shoved The Educated Imagination by Northrop Frye at me. Even then, my rather lightly educated mind knew it was awesome. (Note to self: read more Frye.)
 ³ Also true to form, I will now find an obscure way to connect this literary life to basketball: Kenner was born in Peterborough, Ontario, where one of the older high schools is Kenner Collegiate, named after Hugh’s father, a teacher. (A school named after a teacher?!) At least one of my teams has played at Kenner, so there.

(But enough about me.) The knockout punch of the Dylan Thomas look-back came toward the end of the article, which argues that we should not look at the excesses, lifestyle and literary, of the Welsh poet but rather at the best of what he was and what he did. Author James Parker reminds us of the famed McLuhan aphorism: The medium is the message. Parker advises, therefore: don’t look so much at this or that Thomas poem, which may by now feel dated or immoderate or just plain meaningless; instead, consider what the man himself meant, and attempted. At this point, Parker quotes Kenner’s explanatory paraphrase of The Medium is the Message.

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Chuck Klosterman (on sports and useless certainty)

[3-minute read]
The 'o' is long.

The ‘o’ is long.

If you’ve read one of these things before, you know my schtick. (It’s not so artificial, though, not really.) I’m a confirmed Accidentalist as a reader, about the farthest imaginable distance that a member of the homo sapiens tribe can be from A) a trend-watcher, eyes peeled for the New and the Hot and the Must-Read¹ or B) somebody with a plan. Usually, that means that when I get around to reading something I wish I’d read it long before. So.

 ¹ Cases in point: I’m still smart-phone free. I drive standard. I play vinyl records and CDs.

I’ve made no sudden conversion to Column A or Column B, but am still prone to literary accidents, which is how I ran into Chuck. Klosterman’s 2016 – wait, isn’t that THIS YEAR? – book-length thought experiment But What If We’re Wrong? Thinking About the Present As If It Were the Past. It’s my first book-length CK, though I used to read him often on the Grantland sports ‘n ‘popcult website (ah, Grantland, we hardly knew ye). The moral: it pays, in intellectual and vaguely spiritual terms, anyway, to go to the library. [That hyperlink right there was to a Neil Gaiman essay. You should go to it. And to the library.] BWIWW?, with its black text on white, upside-down cover, leaped into my sweaty palms from my local branch’s “Express Reads” shelf. Get it now, it’s hot, but you have only 7 days before library muscle is pounding on your door…²

² I should have bought it. Ended up costing me a $10 library fine.

It’s a smart and entertaining book, which concerns itself with “Big Potato” questions that cluster around the title query: how can we be so sure about nearly anything, when time so often (and often so quickly!) proves us to be out to lunch without a paddle? what can we safely predict about our futures? do we have even half-decent tools for justifying what we think we know for certain? Klosterman is stylish, contrarian and witty on such starchy questions as these³, there are any number of quote-worthy morsels, but I liked the one below. Sportsy readers don’t get nearly enough Cool Quotation time, so this one’s for them. And for you.

³ No small potatoes. Only big ones are his prey. “Starchy” questions. Get it, didja get it?
The front cover. The subtitle is on the back, right-side up, which forced me to regularly open the book at the back.

The front cover. The subtitle is on the back, right-side up, which forced me to regularly open the book from the back.

As he concludes the book, Klosterman turns his attention to sabermetrics, the growing movement to quantify and generally science-up the approach to appreciating and understanding sports, the teams and the athletes. Why care? you ask. I answer, Because there’s more to sports than just sweat and dunks, grunts and numbers, for one thing, but also because Klosterman makes reading about sports feel fresh and [gulp!] enlightening. He makes sport feel like a genuinely useful lens to understand human beings and their cultures. Bam. Tell the truth: you have to finish this piece now, right? And the quote is just around the bend.

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