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Better Read Than Never: SAUL’s The Unconscious Civilization

I’ve come back for a second assault of John Ralston Saul’s 1995 book The Unconscious Civilization.1 It’s a brainy thing, but not awfully long. And it’s not that it was such tough going; Saul’s prose is quite readable even on difficult subjects. I just wasn’t bringing my mind to it, and there are always Other

JRS in book-signing mode. Best advice I’ve ever heard on writing a book: “Finish it so you can go write a better one!” I remain heedless.

Things to Read. Saul made his early reputation as a novelist, but that phase of his career has been eclipsed by his recent prolific output of essays and book-length arguments on globalization, citizenship, the true nature of democracy and of his Canadian homeland. He is something of a gadfly, and sometimes the epithet “philosopher-king of Canada” is muttered irritably, usually by fellow Canucks suspicious of both thinkers and those who dare to do it in public.

I find him a witty, scarily smart and superbly opinionated voice. In the mid-oughts, when I was writing for the Governor General of Canada, Adrienne Clarkson, I got to spend some time in various front-row seats for the JRS experience.

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It’s Been a Quiet Day in Dalian

Well, except that there’s a loud-speaking voice carrying into our ninth-floor apartment from the college next door. No doubt, it’s another exercise in, well, exercise and patriotism and precision marching for the young people of Qing Gong Xue Xiao. (This means something like the School of Light Industry, and as far as I can tell it’s where the future barbers, seamstresses and short-order cooks of Dalian come from.) Like all college and university freshmen — though some of these kids look about 15, and may have simply not qualified to get into high school — their first few weeks of school are spent marching, shouting patriotic slogans, and singing team -building songs.

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(Fear is a Good Teacher)

BLURT 21: Fear and self-loathing in Hong Kong, Guangdong, Yunnan, over an insignificant promise that terrifies me so that I’m writing THIS instead of THAT.

(One Morning in Room 411)

BLURT 19: The Writing Coach confronts the writing classroom, exemplifying the Sacred Art while the awed students enter. Look, he’s doing it even though he doesn’t have to! Look, he’s wearing a tweedy-looking jacket! Teachers can, mm-hmm.

Save the Thinking for Later

I ran this morning, and it was surprisingly good. After a November that was sickly and often rather blue, I’ve begun to re-establish a (physical) fitness routine, which includes a half-hour run every other day. It’s been going fairly well, considering the draggy condition of my posterior during that sorry excuse for a month, but today I didn’t feel at all like running – until I was five minutes in.

Prayer is like that. The disciplines of prayer and meditation have rarely felt easy or natural for me. Although I grew up in a faithful, churchgoing family, I didn’t learn to pray, and certainly not with any system to it; there were only the odd rapid-fire mutterings of grace before a special meal. Though a Baha’i seeks moderation, this one has always been fond of extremes in temperature, immoderate efforts in sport and elsewhere, and those edges of life that “proved”, however uselessly or painfully, that I was no average Jay. Throw in a little melancholy perfectionism, and I found the pathway to prayer free and open only when I felt especially good (read “worthy to approach the sacred threshold”) or remarkably bad (read “emotional free-fall”, “worthy to approach the rocky bottom”). Spirit feast or soul famine. Yet I’ve discovered – and it has felt lovely and fresh every uncountable time – that, mainly, I only really feel like praying once I’m praying. I found that out this morning. (Again!)

In the four months I’ve been heading toward or living in China, the walls to writing have seemed similarly high. For awhile, though I had a very fuzzy imagination of myself being set free to make new word-things here, I was paying attention to the thousand things that a newbie  needs and wants to do. How do we enrol our son in school? Buy groceries? Find this? Understand that? And then I started to think about writing, about creating the psychological and physical space in our modest apartment, about how hard it is here, about the books/time/energy/order I wish I had, and the disappointment of being so far behind writerly young men that I once tutored in the art.

And then I started to write, hesitantly. And it’s early days, yet, but I think I’m remembering that the way in to writing is to write. (As if I hadn’t taught that, not least to myself, for centuries.) It’s such an old and stubborn error: we imagine an existential order in which we have values, and then realize them outwardly; in which we have a recognizable emotion or intellectual impulse and then act upon it. But all the artists who have “gone pro” (as one hard-bitten writing coach put it), all the great Sages, and all the top jock gurus know that it’s often the other way ‘round.

Inspiration comes to those who show up at their workbench, expecting it.

Certitude comes to those who practise, though uncertain.

Guys who can run can run ‘cause they run, so run!

BetterReadThanNever 1: Talent, Potential and the Myth of Ability

“Talent doesn’t exist. Talent is nothing. It’s all about what you do, how you work, how you dive into the process.” That was Ben. (It may still be Ben.) He was learning to love his trombone in a Jazz Performance program at Montreal’s McGill University.

“Listen, you’re right, process matters, it’s great to focus on what you can control. But you don’t believe in talent? You’ve never coached basketball, that’s for sure.” And that was me, his teacher-coach father.

This was a conversation that lasted hours, across several days and venues. I, of course, was the voice of balance and reason in the face of Ben’s extremist argument. Because every athletic coach knows this: if you’re gonna make rabbit stew, you’d better start off with some rabbits. Some kids you can teach for a week and they can do it slowly, and some are at high speed after 15 minutes. Everybody knows this, right? So maybe my argument was dispassionate, based on grey hairs and considered experience. And perhaps it wasn’t, always, because I was interested in reminding my boy that he was talented (always different from “skilful”), and I might also have been nurturing a niche or two of my own where I doggedly hope that there’ll be some natural flow and not all hard work. (See “Writing”.)

Surprised as I was by his “naïveté”, I was moved by his argument. It made sense, given his position: you’ve been accepted into a prestigious program after auditioning; you are what you play, so thinking about “natural ability” is distracting at best, corrosive at worst; and besides, the only thing you can control is your level of effort and quality of focus. I got that. It’s one of those beliefs that, regardless of its level of absolute truthfulness, is just useful to believe. It’s forward-looking, it’s practical, and it gives the person seeking mastery the permission to keep on looking. Good.

All of which reminded me that I hadn’t gotten ‘round to reading something all educators should (even if they don’t speak math), as should any who like to think about human potential and barriers to its expression. John Mighton, a Canadian writer and educator, came out with The Myth of Ability: Nurturing Mathematical Talent in Every Child in 2003. Just as I had with Ben, I was dubious about Mighton’s egalitarian premise but excited about the possibilities it opened.

Mighton loved mathematics as a child, but left it behind in discouragement before he left high school. He went on, doggedly, to teach himself to write, which he did well enough to win a Governor General’s Award (Canada’s top literary prize) as a playwright. I’d heard about the book – a new approach to teaching math to kids – but I was at least as interested in the author, and his odd movement from writing for the stage to a belated doctorate in mathematics. He examined the systematic approach he’d taken to writing, and applied it to the rekindling of a stifled earlier love. He became an adult math prodigy, and he watched carefully how he did it and why it had taken him so long.

And along the way, he began volunteering to teach the “unteachable”, those kids – often from underprivileged and undereducated backgrounds – who had fallen “hopelessly” behind in their numeracy. He started with Lisa, a sixth-grader operating at about a grade one level; she was unable, for example, to count by twos to ten. Using the basics of what became the JUMP (“junior undiscovered math prodigies”) method – rigorously defined teaching by clear and tiny steps, coupled with dollops of unremitting praise – Mighton helped her to the point where she could pass grade 9 high school math at the academic level. It was the first of many remarkable success stories.

He’s convinced that the teaching of mathematics is rife with false ideas, chief among them the elitist notion that only a few students can be expected to excel in it. And, though he argues this rather gently, that it is poorly taught, based on the expectation that most will eventually fail anyway. Teachers, especially at the crucial elementary levels, either are among those who picked it up easily (and therefore unconsciously expect that everyone should do the same) or those whose own mystification with mathematics made them rather phobic about it. (Mighton doesn’t ask this, but I do: how many primary- and junior-level teachers actually like mathematics? Having trained as one, my unscientific answer is: not many.)

Everybody can learn mathematics. (There, I gave away the ending.) Mighton is evangelical about this message; it’s an educational call to arms, and an emphatically political one. The Myth of Ability takes the principle of democracy and slams it down into every grade school classroom in his province (Ontario) and beyond, arguing forcefully that it is deeply ingrained prejudice that makes us think that only the few can possibly have had the magic fairy dust of mathematical potential sprinkled upon them. (It reminds me of another bit of widely believed exclusivity: that art and creativity are only permitted to the rarely gifted, when what is really needed are the means, the time, and the confidence.)

To a man with a math obsession, of course, perhaps every problem looks like innumeracy: “more than half the world’s children still live in abject poverty. In affluent countries, violence, overconsumption and the destruction of the environment continue….Children who grow up…meeting only a fraction of their potential, unable to reason clearly or weigh the consequences of their actions…will be exploited and misled with ease by corporations and politicians…” Hyberbolic? Perhaps. Mighton is a mighty believer in the power of education, that good teaching and constant encouragement are the antidotes to apathy and failure. He writes: “If children in any part of Canada were being starved to the point where they looked like famine victims, people would demand that they be fed. But children regularly graduate from our schools after reaching only a fraction of their potential. Why do we tolerate this vast loss of potential…?….We must all believe, on some level, that these children are not being starved, they are simply incapable of eating.” Mighton has proved to himself, and the JUMP program seeks to demonstrate to more and more schools, that the great majority of young can not only eat math but love it, too.

It’s a challenging thesis, but a painless read. He writes clearly, engagingly, and concisely. Mighton tells his story, outlines the development of JUMP and pleads for a more challenging (yet more equitable) approach to education in well under 100 pages. (In fact, if you’re as lazy as me, you can skip the entire second half of the book, in which he reprints selections from the JUMP manual, from teaching fractions to something called “finite state automata”. Good thing I’m not getting paid for this review!) The Myth of Ability is a small but potent package, and well worth the read for anyone who believes – or wants to – in the importance of education and the undiscovered country of human potential. at times I felt that Mighton might slightly overstate his case, although he does not suggest that there aren’t inborn differences in ability. I think, though, that my “talent is nothing” son Ben would approve. He would nod furiously at Mighton’s title, that’s for sure.

Return of the LitWit

So I raise my head blearily from the long, muddy furrow in which I’ve been crawling for several months – it looks, to the inexperienced eye, like a clean and well-lit classroom – and I remember I used to believe in a question.

How can I know what I think till I see what I say?

That’s the novelist E.M. Forster (A Passage to India, Howard’s End) reminding himself and any would-be-wise guy that writing is, among many other things, a way of understanding. Judging from my strangled output over the last year and more, I don’t understand much when I’m teaching full-time. (And coaching. And trying desperately to influence the young, face to face. Madly off in all directions. (Thank you, Stephen Leacock.) Running to stand still? Sometimes.)

I do know exactly where I am when I face a group of students. It’s natural, it’s demanding, and I’m only slightly less manic-energetic than I used to be. But the sense of déjà vu sometimes weighs heavily, and while I know exactly what I’m doing, and while even a ninth-grade French class can turn into a chance to clarify and express my views on matters mighty and minor, I am not finding Forster. I have not been stretching and stressing my brain and typing fingers. More and more, lately, I’ve been feeling this absence from my life, hence today’s self-involved posting.

I’m back, not that cyberspace missed me much. Today, I like writing.

Farewell to ENG 2D

Here’s an end-of-term bit of old-fashioned letter-writing — hand delivered, mind you! — to a group of kids champing at the bit to feel free of all the literacy I forced upon them. I just had a couple more things to say, and hope that 2 in 28 paid attention:

Friday the 13th
(Lucky us!)
June ‘08

Well, 2D,
(2D, or not 2D / That is the question.) (Sort of.) (Okay, not really, but it rhymes…)

Many a Journal has been written this semester, but not a one by me. Time to change that, ‘though as the photocopier hums merrily along behind me with last-day-of-class exam preparation sheets and other items of ground-wobbling importance, I’m not sure I’ll be able to complete the required full page. But it’s a start. After writing Journals quite madly for years – including, often, those written alongside my sweating students as they scribbled theirs – I’ve been in a Journal Drought. I’ve written many another thing, and some of ‘em were green and growing, but my personal coil-bound thought sanctuary has been a desert.

So this rambling scramble of a letter is my first baby step toward the restoration of my own private record-life-as-it-happens-so-I-learn-and-remember habit.

‘Cause that’s what a Journal is, besides its obvious value in helping/forcing you to get better and easier in putting your thoughts and feelings down on paper. (How can I know what I think ‘til I see what I’ve said? one writer asked.) For most of you of you, by now, getting it down is something you do easily and well; I wish I’d had more time to read and respond to the thoughtful, wonder(ing)ful, funny or frustrated things you spun out of your own life and intelligence. What’s more important, though, is that YOU will read what you’ve written, sometime down the road. There’s a vivid portrait, in words and exclamations and marginal scribbles, of yourself in there, one that you should value and that you should keep, right alongside your yearbook, maybe. (Great idea, sir!)

I wish you all the best, including a summer full of reading: the Best Single Thing you could do for your educational future, I say, AND for those quiet hours when only a book will do…

Peace and progress,
Mr. H.

Neglect, Thy Name is Howdy

This is a brief post aimed especially at The Faithful Ones — and You know who You are — who tune in to this site to see if Mr. Jay has anything to Say. (He Hasn’t. Not since February 21. Ouch. Chastened, which, English being the odd language that it is, has little to do with chastity. For whatever that’s worth. And if I continue with this tangled paranthesis, you may never wish to dial Howden again. So I’ll stop. Real soon.)

It’s been dry. I’ve been busy. Life has happened. Blah blah blah. But I am going to get back in the cyber saddle over the next few days. I actually have some fresh (ish) writing to post, mainly stuff from the weekly column I spastically thrash together for my hometown weekly, The Grand River Sachem. (That’s its real name.) It’s all over the map, but some of it might be worth looking at again, especially since Son the Eldest just found two fairly senseless statements in a recent meditation on Barack Obama and the meaning of American life.

So look down, and with any luck, you’ll see some bits with “March” in the dateline that weren’t there before. They’ll be a little out-of-date, but they still pass the smell test for me.

If I Had Only Had…

It’s a perfect day to account for my failings as a writer, quite apart from the practical consideration that I have to teach school today. The call came. It came to me. I’m a class act.

I find myself at one of the real centres of juvenile creativity in Canada, Canterbury High School. It’s a specialized arts school. The annual musical is spectacular, and a far more important event than any number of Big Football Games. (Actually, there is no football at Canterbury. There aren’t even that many boys at CHS; it’s about a 70/30 split. The kids who attend here because they live in the immediate district are also a minority. They’re called “Generals”, as opposed to “Visuals” or “Instrumentals” or “Vocals”, and they can find it a hard place to come in some respects. The place is crammed with keeners who applied from all over the region to come here and dance, sing, play, act, paint, sculpt and write. It may still be the only school in the country with a Literary Arts program. My family’s move to Ottawa five years ago was made, in large measure, because Son the Third had been admitted here as a ninth-grade writer. It was a 500-kilometre move, and an easy decision, finally, and a wonderfully fruitful one.

Replacing Ms. Barkley today, my Dave’s ninth- and twelfth-grade writing guru, I’m in a class where to write myself seems not only possible but necessary. Grade 12s. Supremely pleasant and diligent and highly motivated, which does not suggest that they are not also distracted by the epic conversational possibilities with fellow writers they’ve shared and performed and edited and sweated with for four years now. Still, they don’t need much from me. It’s a strange kind of a high school. It’s beyond okay to be smart, to read, to care about social issues and cultural richness. Among the seniors, it verges on being a requirement, which explains why coming from the school catchment area without actually belonging to the Arts Canterbury crowd can be a bit of a trial. Generals. Of course, it could be a rich and fascinating place to wind up in if, say, you were a smart, sophisticated and confident adolescent, unbounded by cliques and suspicion. In other words, for only a few.

But back to me. (It’s all about me.) I am prone to think, Gosh. Sons One and Two would have been so much more at home or challenged or stimulated by a high school experience like this one. But I am also subject to selfish and exculpatory thoughts: Damn, if I’d been exposed to the idea that writers were real, if I’d had the chance to be among other kids that read as much or more than I did, if I’d been encouraged to write and party ARTY when I was young, I wouldn’t find the literary learning curve so steep in my advancing age. I coulda bin a contendah. I coulda bin a star. Yeah, I just didn’t get the breaks. Sigh. Et cetera.

All of which helps me not at all, but it’s a soothing diversion. And it’s writing, and so am I. And it’s now. And the bell hasn’t even rung yet. Maybe I’ll even get around to posting about the WritersFest, as I recently promised.