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Where’s We At Then, Buddy? JH.com Wonders!

It’s not an anniversary, but it’s close. About mid-July 2014 my wife and son and I made our summer trip back to Canada from China, but for the first time in five years we were coming to stay. So. <Cleansing breath.> Alrighty, then. We’ve been back nearly a year. <Another breath, deeper. Shakes the tension out of his hands, drama-class style.> We’re looking at each other and thinking, This is where we are. How’re we doing? What’s up with you/me/him? Are we who we thought we were? And so on.

I study. I teach, coach, plan. Dishes, floors and laundry loads get done. The garden is weeded and I’d better pick more lettuce and funkygreens. (Note to co-habitants: belly up to the salad bar, hombres!) I am reading about: boys and young men and what might be holding them back; James Baldwin; the NBA draft and free agency; a wonderfully eccentric view of the Bible; Reading Lolita in Tehran. I’m not reading much fiction, again, but Baldwin’s Go Tell It on the Mountain and Atwood’s Maddadam are shouting at me.

I don’t write much. I’m borrowing a concept from The Year of the Flood, the second in Margaret Atwood’s vivid futureDoom trilogy. There, in a “God’s Gardeners” community, people who are lethargic, dispirited, depressed or otherwise dysfunctional are said to be in a “fallow” state, as fields are left uncultivated by wise farmers so that the soil might not be depleted. June was a fallow field for my writing, and after about mid-month I accepted that. It gave my days-ends greater contentment, which is almost always a good thing. I wrote this, however tentative and diffident it is as a spasm of seed-planting, just so that you and I know where we are. (Hello!)

Before I abandoned my writing desk, I was writing feelingly and hard (not sure how well; haven’t gone back to look), striving to better know and appreciate seven prisoners of exquisite conscience. These “friends” of the oppressed Iranian Baha’i community, a group of leaders who tried to encourage their fellow believers once all their institutions and most of their rights had been removed, are now well into the eighth year of their incredible sentences. (Maybe I went fallow then because of futility — daily, tapping my uncalloused fingers against prison walls in a strange and distant country. Or I just got lazy; as a matter of principle, I don’t believe in futility, though I practise it with astonishing persistence.) Maybe you would like to read about the “Yaran”. My personal (possibly meandering) responses to their captivity helped them become more real to me.

It’s time for a quick update, reminders, and some sense of where you are, electronically speaking:

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Dorothy Parker (nastily, on writing and action)

I was writing a blog post, prompted by a prodding sense of injustice (and by

Check out the (apocryphal?) story of her being able to crack wise even with a bland word like "horticulture".

Check out the (apocryphal?) story of her being able to crack wise even with a bland word like “horticulture”.

the jabbing forefingers of two friends). It was about the ongoing imprisonment of seven Baha’is in Tehran jails for the most lunatic of perceived crimes. It felt good to do something, but I was plagued by a looming appreciation of the void between the high sincerity of my action and the narrow scope of my influence. I felt a little like the acid-penned lit-wit Dorothy Parker, who wrote this “Song of Perfect Propriety” as a roaring declaration of desire, followed immediately by a meek admission of the narrow confines of female possibility in her time. It’s funny, smart and more than a little laugh-so-you-don’t-cry. This was going to be my readers’ Hey, You Read the Whole Bloody Thing! reward for getting to the end of the piece on the Quietly Magnificent Seven, but it didn’t fit no matter which way I turned it.

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Getting Your Howdy On: SIV Week Is Here

It’s my mother’s birthday. Were she still shuffling, flat-footed and bunion-aching, along this mortal coil of frayed and ravelled rope, she would be turning 95 today. She would be steamed. I’m so angry I could spit! she used to mutter when one of us, not always me, would race heedlessly past the wide but certainly finite fields of her patience. She loved life, doted on her family and especially those teeming crowds of grandchildren gathered around every Howden turkey. She’s a woman who suffered, and yet got pretty much what she had hoped for in life. In her last months, though, she’d had enough, and was quite-content-thank-you to be DONE with sleeping and waking and eating and all these things. One day in a hospital bed, she awoke, looked around with confusion and (at least the way I read it) growing dismay, and said, “Am I still here?”

Today is Enid Day. She died in 2006. (I remembered her, in one of my favourite and least-saleable pieces in JHdotCOM history, here: https://jameshowden.com/2006/11/enid-mary-elizabeth-howden/ . Sorry, still unable to hyperlink.) Her birth-day is when we most remember her. I got a note from Big Sister that looked forward to her third Enid Day in Nunavut, where she her last few years of “retirement” teaching some of the damaged and despairing children and youth of Cape Dorset. She was enticed there by my ex-wife, with whom she lives. (That’s a pretty good story, I figure, though not mine to tell, not yet.) So, happy Enid Day to them, to all my relations, and to you and me.

In memory of her, I have declared this SIV Week. I’m not sure who was more stubborn, Enid or my Dad, though I’d say both changed astral planes more easily than they often changed their minds. The stubbornness I rue with such arm-waving in my fourth son informs me — eventually, ruefully, guiltily — of just how cement-headed I so often and so chronically am. Solution? StubbornnessIsVirtue Week. SIV. If you can’t beat ’em, join ’em; if you can’t alter it, exalt it! Winston Churchill was stubborn. So were Gandhi, King, Teresa. So am I, if only I could beat that adamantine forehead of mine against more meaningful walls.

Therefore, this having been declared SIV Week, I’m taking several half-finished things that I’ve written over the past while — and, for various reasons, chief among them cowardice, fatigue and cerebral untidiness, haven’t had the poop to complete — and I’m GETTING THEM BLOODY WELL DONE. (I also remain, certainly, cursed by Enid’s endlessly repeated counsel that if a job’s worth doing, it’s worth doing well, which has led to more procrastination and dismayed unfinish-ing than either of us can abide.) So, first you’ll see, in the It’s All About Sports section, my final Final 4 basketball thoughts, though that American college hoops lollapalooza finished three weeks ago. Other gottawritems are even older, but won’t look so obviously out-of-date because they’re less particular.

So: I’m finishing stuff. I’m clearing the decks. Spring cleaning of the neocortical kind. Purging. Loosening my load, in hopes that new and fresh things might follow, but mainly out of brute determination to do-stuff-my-way-even-if-it-makes-no-sense-to-readers-’cause-Mum-never-gave-up-and-mulishness-should-sometimes-bear-fruit-even-if-it-looks-like-a-dungpile. It’s MY dungpile. I made it all by myself! Happy Enid Day, and Happy StubbornnessIsVirtue Week!!

The rest, below, is in explanation of what this site has done and does when it’s not SIVW.

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Rebecca Solnit (on the lie of “the best years”)

I don’t always read out-of-date stuff. In fact, Discerning Reader, the April 2015 issue of Harper’s magazine just found its way into my grocery cart. This issue has pieces on the basketball exploitation of young Africans, a climate change travelogue, and the cover story on the virtues of solitude. I was already sold when I saw reference to an editorial piece by Rebecca Solnit called “Abolish High School!”

Now, high school is where I have spent more time than in any other venue, five (yes, 5) years as a student and nearly another 25 as one of the dreaded Creachers. (English Lit and Writ, some French, a little Phys. Ed., and about half again that much time invested in extracurricular madness.) I believe in public education, though its limitations and squareness aren’t lost on me. I was eager to read Solnit on abolition, and while there’s some element of over-idealistic assaults on windmills, she’s thoughtful, sincere and a wonderful wordsmith.

Somehow, she avoided high school completely, and didn’t miss it a bit. Much of her argument proceeds from the inevitable peer-hazing that happens when a narrow age-range of people are processed within a semi-industrial system of “efficiency”. Solnit figures she’d have been a prime target for ridicule and isolation, and wonders why we so blandly accept this personality-warping pain as a necessary element of growing up. This writer is a long way from boxed-in thinking.

Towards the conclusion, Solnit treats the opposite effect: what about the high school winners? Do they really?

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Margaret Atwood (on sadness, in fiction?)

I’m reading Atwood’s weirdly witty near-future dystopian nightmare trilogy of runaway climate, corporate takeover, canyonesque income disparity and biotech gone to its illogical conclusion. In the second novel, The Year of the Flood, an overused and under-loved young woman named Ren leaves a decent, if menial, job because there’s too much pain there. She goes, as a backup plan, to Scales and Tails, a strip-bar/brothel whose chief pimp, Mordis, at least appreciates her dance training.

Ms. Atwood channels through this hooker’s-minder-with-a-heart-of, well, maybe not gold but apparently harbouring more careful attention to and protection of Ren than her mother ever showed. (Heart of cynicized bronze, maybe.) Mordis remembers Ren from when his SekSmart Corporation interviewed her at a job fair hosted by her seedy arts college, the Martha Graham Institute. Ren has no illusions about the work she’s getting into, and has only one qualm:

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Chuck Wendig (on weak & entitled men)

Chuck Wendig is funnier than I am, even when he’s pissed off. Especially then.

More Chuck/Howdy distinctions: Wendig’s funnier, more productive, less frightened of fiction, more joyfully profane and (allegedly) actually makes decent money as a writer. (I actually quite like him, though.) He writes a blog called Terrible Minds which is particularly aimed at writers, and secondarily at those who enjoy and consume fantasy and science fiction, whether electronically or by manual analog movement of stained wood-pulp tissues. (So-called “pages” within three-dimensional, sometimes weighty and sharp-cornered “books”. Weird stuff.) He has met Neil Gaiman. He has a writing shed.

But here’s how Chuck and I are brothers: he is the father of a little boy that he’s evidently fascinated by and cuckoo about; he believes in creativity and wonder; he has a thing for Margaret Atwood; he’s wacky about words (his writing is like steroid-enhanced psychedelic popcorn and, like mine, digresses wildly but with way more profanity and phrases like “shit-shellacked”, “jerky lackwits”, “a ranty, yelly, gesticulating mess of a screed” [about “arting harder”], and “a pair of toddler underoos spackled with mess”; AND, if you thought I’d never get to the point, like me he is often inclined to spew inflammable verbal dragon-venom when men are hateful towards women and their aspirations. Chuck Wendig is bloody merciless and absolutely off-his-nut indignant when men are whiny, machofeeble, femophobic and protective of illogical and illegitimate privilege. It enrages him. It enrages me, though less colourfully and NSFW-ish.

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Better Read Than Never: On Stephen King

SK back when, perhaps about the age of Clay, the artist/teacher protagonist of "Cell".

SK back when, perhaps about the age of Clay, the artist/teacher protagonist of “Cell”.

I’m something of an agnostic when it comes to Stephen King, but I still attend the Church of Steve occasionally. I recently read his 2006 novel Cell, not a decade too soon, and enjoyed the ride; we’ll get to that soon. However, I’m sure I’m not alone, though as usual I’m well outside the best-buying mainstream, in preferring King’s non-fiction to his ever-popular novels and shorter stories.

Danse Macabre, his query into the attractions of the dark and haunting tales he likes, charmed me long ago with its range, its sense-making and its humility. I know what I am. I’m a hack, though I try to be a good one. Not long after, reading Misery — this must have been late ’80s, early ’90s — I was abducted (partly) against my will by that tale of a writer haunted by the insanity of fan-dom. I was often knocked out by his word-smithing, too,

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Kurt Vonnegut (an oath on freedom, good news for Dad)

This story, the story of this letter, has moved me over and over as if I was reading it for the first time. I might as well have been. Lately it has been on my mind constantly. This is likely because I have recently entertained the possibility that I will never haunt a classroom again, at least not for money. After years in between blackboards and bored kids, mainly in southern Ontario high schools but for five recent campaigns in two northeastern Chinese universities, I may be done with all that. Hence, the Kurt Vonnegut ear-worm, my writing hero‘s blazing honesty on repeat. (How did you do it, Kurt? How did you do it? I’m reading his non-fiction again, trying to find clues, but I mainly get beaten about the ears by the impossibility of doing what he did.)

Humane, funny, tortured, conscious, brave.

Humane, funny, tortured, conscious, brave.

Yes. So here’s the set-up. KV’s story is in the second of his “autobiographical collages”, Fates Worse Than Death. (The first was Palm Sunday, if you’re keeping score.) (Desert island books, both. I can read these things again and again.) He’s writing about his saintly “unicorn” of a father, and the stoic resilience he showed as an artist enduring commercial vulgarity and disdain, and as a man surviving the madness of his wife. Kurt Junior ends this whimsically sad tribute to a man living in the wrong era by telling of his own early days as a writer, maybe one born at the right time — if being a World War II infantryman is good timing.

At age 27, Vonnegut was paying bills by writing advertising copy for General Electric by day, but his eccentric short stories were — amazing as this seems in hindsight — being accepted by the mass-market general-interest magazines of the day. The last word on his beauty-loving Daddy was this:

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Catching Up: Portrait of the Activist as a Young Woman

Maybe you’ll like this. I did, when I dredged it up from a subterranean file of writing I’d forgotten about. I didn’t forget this girl, though.

A.T. was a favourite student of mine, and Number One Babysitter of Son the Fourth when he was “the world’s happiest child”. In a writing class I was taking, not teaching, I was assigned to interview somebody interesting, and I chose a chubby, bespectacled grade 11 with a great brain, lovely brown eyes and a lethal wit. She still writes, but the activist appears to have won out: she’s spent the past half-dozen years doing development work with an NGO in Africa. She’s come a long way from Caledonia.

I always wanted to be Jann Arden”, says A.T., a 16 year old high school student, “but I can’t sing.  I guess I’ll be a writer–what else can I do?” A. even looks a little like Arden, and has the same intelligence and self-deprecating wit, although her self-possession suggests she will not have to go through the same depressing chemical adventures in seedy bars. Here’s hoping, anyway.

An only child (a gentle iconoclast right from the womb), she nonetheless has loads of family history, blithely speaking and writing about her father’s recent marriage to “the fourth Mrs. J. T.”.

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Writing and Doom

That day’s Sinking Feeling Epiphany:

Every day is September.

(Can I still do this?)

The day after Labour Day — in Canada, it’s the first Monday of September — always loomed anxiously. For most of my adult life, it meant being back in a high school classroom, the Return of the Creature. From about the last week of August, the Creature Dreams would begin their annual limited engagement. (It’s an auspicious day, great things to teach or coach, but I can’t find my classroom/the gym, materials are a bizarro mess, and wait didn’t I have clothes on before? and this place looks vaguely familiar but why’s the ceiling getting so low and holy-cow-my-feet-are-stuck-in-what.) Teaching and coaching were performance arts, and so there was performance anxiety, more than 20 years of it, but mainly confined to the first Tuesday morning of the school year. I always got an adrenalizing dose of can I still do this? but I was unfailingly reassured about five minutes into period one: yeah, ‘course you can. You’re built for this. I am Creature. Hear me creach!

Maybe I’m just tired and lonely in this writing thing. In June, we were not only packing, finishing our teaching jobs, and preparing to leave China and our Chinese friends after five years, but I’d accepted a writing deadline: June 30.¹

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