[3-minute read]
I don’t want to just dive in to water, and I don’t care if I’m the “last one in…[and] a rotten egg!”. Bodies of water larger than a bathtub are not my best friends, and besides, I don’t just dive in to nearly anything.
Which is strange, because I love beginnings, the freshness of unstained hope not yet wracked by reality.¹ I think “diving in” reminds me of a future that I deny. Go jump in the lake can mean, in the wrong mind, I hope you die soon. Some of my resistance to jumping into water I can’t see the bottom of, I begin to glumly theorize, arises from my diffidence about death. It doesn’t feel like dread, not quite, but I do sense my unpreparedness. Strange waters or familiar, they feel like a presentiment of extinction. This explains a lot of things.
¹ I wish this applied to writing, though. The terror of the start, the Thing Not Yet Begun, still is not and maybe never will be quite overcome by the eventual flow of production and the relieved delight of having written. I often say, “Reading (or writing, and probably ‘rithmatic for that matter!) is like running; you have to build your stamina and skill to make it a positive habit.” I guess swimming is like writing, too, except that I don’t imagine ever being competent in water and, whatever my writing resistances are, I don’t dread imminent death when I scribble.
Some of this nervous distaste for getting in over my head, not just metaphorically but literally, is less abstract. It comes from my blasted confidence while in water, a feeling of drifting towards doom that may have begun with (and was certainly stoked by) a childhood failure at lessons in my small town’s cracked outdoor pool. It was simple stuff that the mermaids in blue one-piece bathers were asking of me, but I couldn’t do it. Ever since, a lake or pool or pond is above all a glorious thing to get out of, to put sand or clay or concrete underfoot again, to gaze from solid ground on the seductive beauty of water in motion, water still, water frozen and forever. I love looking at water. I stare at it, fascinated, confirmed to find it in front of me, not over my head.
Diving in, on my preferred footing of metaphor, is letting go of my dried-out conventions and certainties, which is hard to do. I can admit to the occasional thrill when literally doing so, in Actual Water. When hot, even if unbothered, crashing into coolness is a lively shock, and I don’t flounder right away. I just hang there, most of me under the surface. From the hindsight of a desk, I wonder why a man with more than sufficient body fat won’t float with more ease. But suspended in a cold, thought-stunning brew, I always play dead for a while,
