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ODY: Week 8 (56/365). The Whole Fam-Damily.

I began the week with reflections on a family reunion. We’d booked a room in the seniors’ home where my sweetly declining Mum is glowing out her days. I made a grander-than-usual entrance because I was carrying a guitar case, which got the attention of the nieces and nephews. Lots of questions. (Mine: “What, you’re not reading my site?! You obviously need to get rid of your life – of course I’m playing the guitar!”) And yes, eventually, flushed of face and nervous as a 16-year-old knocking at the door with a corsage in hand, I played a little where people I know and love could actually hear me. I played clumsily and it didn’t matter a bit.

There was never live music at family gatherings when I was a kid. There wasn’t music, period. Neither our parents nor any of the five kids played at all. The next generation has done better. My children are the fathers of this man’s music-making. My sister married a quiet and stubborn man who taught himself to play guitar, and their girls play piano and more. Now there’s a son-in-law in the mix, a live-wire entrepreneur, guitarist and sometime recording engineer, and Jer was all over me. (He was like Dave the TVPI, my son and first teacher, except with Mediterranean hairiness and more manic energy.) He was very encouraging, and had WAY too much stuff he wanted to show me. (I hadn’t known how well he played.) This all let me off the hook of actually having to play for him, which was way too fine with me, but I did learn some interesting little twists on the G and D chords, as well as other stuff that may resurface sometime down the road. (I’ve already forgotten. Indigestion of the mental kind.) I have so much to learn, and it was fun to learn with a newly-minted nephew.

Quietly, in the background as he so often is, was Silent Paul, my brother-in-law. It has sometimes seemed that we didn’t have a lot in common. Our professional collars are of a different colour and our world-views sometimes far apart. If I am words and ideas, he is hands and things. But as the years pass, we find each other more and more when the clan gathers. (I admit that he annoys me mightily with that flat belly of his, but he has good qualities, too.) Later that day, he sidled up to me as we were about to hit the homeward road. “Keep pickin’ and grinnin’,” he said. A noble, quiet man says a lot with a little, and among all the reasons for enjoying playing the guitar, here’s another. It’s sweet to share a common cause with a brother. We sometimes run together when I’m down home, and now we have another avenue of DOING that we can share. Paul’s friendly and kind, but not much for sitting around and talking. He runs a huge crane in a steel mill. He works on his own car, restores antiques, installs his own hardwood floors. He envies my letter-writing, but I would like to have built a house and home like he has. Now we have a new thing that we can do together. It’ll be fun to learn with him, too, and I have another motivational deadline. I want to be a lot better by the next family gathering.

Back home, my next lesson was a slap in the head. I felt out of it. I couldn’t keep up with the chord changes that every one of my eight fellow bumblers seemed to be doing far better than me. Guru Kurt said the kindest thing: “Chord changes are the WORST. Nothing will bring out the I SUCK! in you better than them.” The whole week was a real plateau time where I couldn’t see much sign of progress. Some of this, my occasionally rational mind tells me, is because of Kurt’s method, or at least my response to it. I’m trying to learn many chords and techniques and note reading and rhythm reading all at the same time. He says that he wants to give us, in this eight-week group lesson, everything that we need to know to teach ourselves the guitar. He gives us a lot, assuming that we won’t be able to absorb it or quite keep up, but the plan is that we’ll have habits and a strong set of materials to keep on plucking after the course is done. Beyond that, though, I also have to hammer away at the repetitive strain of going from G to C, C to D, D to A (and on and on) over and over and over again. (“But play songs! Make up stuff! Have fun!” insists the TVPI by phone. There’s a balance.)

My final family lesson of the week came from the six-year-old. Sam has adopted the old broken-necked Dégas as his own. He keeps it simple. He started by holding it upside-down and playing left-handed; I might’ve left him that way, but he’s very clearly a right-dominant boy. I showed him how to hold a pick, and where his left hand might go (he didn’t care for much detail), and then he whaled (and wailed) away. I listened furtively while he composed his first song, strumming the same non-chord and singing the same flat and sweet little melody for every line, no matter how long it was. I’m a Dad. I found it brilliant:


I was alive since 2000 / I was alive since 2000 / Most of my friends weren’t even born / Thomas wasn’t born ‘til October / But I was born on April 6th / And I didn’t know them when I was a baby / But I didn’t even care if they were babies in their mommies’ tummies / ‘Cause I didn’t even have friends yet / But we lived next door to McDonald’s / And we were pretty close to a play structure…”

The next song in his repertoire involved more aggressive punching of the strings, while the lyrics came from the latest number-one-with-a-bullet grade 1 schoolyard song. (The part I don’t get is that he goes to a French school. As Ottawa’s francophone parents say, we have to promote and protect le français. In a city like ours, even kids who speak only French at home can pick up English like they do a cold.) And here’s how it goes. It starts off with an echo of Queen’s ever-present “We Will Rock You”, and then wanders into the ancient rhythms of nearly all the chants that every kid learns on every playground.


We will, we will, you know what? Kick your butt!
All the way to Pizza Hut!
I don’t care if you dare,
But don’t forget your underwear!

 

Words to live by, and an I can do it spirit to learn by, too. Thanks, little buddy.

ODY: Week 7. Of Dogs and Six-Strings.

It’s a fun stage in the Old Dog Year, having now spent a first full week with my new guitar. The chords that have sounded so discouragingly now ring, when I can get my fingers organized, with an undeniable sweetness. When I bought the Walden, I also asked about how to get hold of the guru, KW. I’d missed the second lesson, and wanted to know what I should work on. Guitar Guy just laughed. “You can’t get hold of Kurt.” Oh. The Guy had some good words, too. The advice: repetition, repetition, repetition. “When you’re watching TV, listening to radio, talking to people, just play simple stuff. Over and over. Brainless. Just let your fingers learn by doing it over and over. That’s it.”

My old boss has a book out, and in it she talks about a life-long affection for opera. Radio 2 had an interview with her the next day, where the talk was all music. So I took up the Guy on his suggestion, flipped on my bedside radio, grabbed the Walden and played A Blues Riff and Travis Picking and a few quiet chords, which is how I found myself accompanying Maria Callas from a 1951 recording of La Traviata, as well as a really swell tenor (I forget) doing an aria from La Bohème. (I don’t understand the lyrics, but I was flushed with pride that I actually recognized the aria. Yay, me!) Then Cohen. Then Lightfoot. My noodling had sounded better beside operatic singing than it did as an accompaniment to Gordon’s guitar. Sigh.

Then the next day, in the midst of a long conversation with The Big Guy (son number 2, on a surprise visit, not to be confused with the Guy), I called time-out, thought Where’s Walden?, grabbed my new best friend from the basement, and noodled some more while we yacked and yacked. Who says I can’t multi-task? Normally, I can’t keep doing dishes while talking on the phone. I can’t eat and think at the same time. But this seemed to work okay. Gotta listen when young men decide it’s time to talk.

On lesson night, KW the guitar guru showed up with his left hand encased in plaster, having severed a finger tendon doing home repair. The anaesthetic was wearing off, the painkillers were kicking in, but he was there. His eyes were crossed by the end, but his humour was intact. His planned lesson was a little frayed around the edges, though. He has eyes and a mouth painted over the curved end where cast holds the fingers, so his left hand can gesture and cajole like a ventriloquist’s dummy. It can’t do chord changes, of course, but neither can THIS dummy. I felt lost. I am no star in this group of beginners. (Fabulous. Another vain imagining cast aside.) Most of the rest have music experience – piano, sax, trumpet – and so the theory and the reading must be as boring for them as it is nervous-making for me.

My musical education came largely in Mr. Danton’s class on rotary in grades 5 and 6. I didn’t pay much attention, though my eyes got wide when he played “Sweet Georgia Brown” on the piano. He was a painfully shy man, but his mild, Clark Kent exterior sprung holes when he got at the keyboard. (He tried to contain himself, but really couldn’t. Loved that.). Oh, yes, and there was a month, way back when, with a grade 1 piano book. One lonely year of renewed bachelorhood, I lived in a small apartment off my sister’s house, where there was a grandmother’s piano and a bench full of conservatory books. I attacked it solo. I played for nobody. I lasted for a hardworking while, and so staffs and clefs and quarter notes look vaguely familiar to me. But I have so much to (re)learn. Chord changes. Chord changes. Cripes, I’ve always been a bit resistant to change, but this is ridiculous. I tend to labour away at one chord ‘til it’s clean. Then I stop. Then I do it again, on that or another chord. The transition between them, though, is so friggin’ awkward and muddy. I hate that pause, that waiting zone, “for people just waiting”, as Dr. Seuss (Ted Geisel) once wrote. 

After my lesson, I was down to the International Writers Festival, where the last session of the evening featured three songwriters, playing and talking and laughing about their work. (Jim Bryson is an odd, interesting and very witty performer I’d never heard of; Lynn Miles has a dark and soulful groove that she mines; and oh my, Oh Susanna  – not her real name – was a revelation to me, a great big voice and a quirky but substantial way of writing. I had fun.) I watch musicians a little differently now that I have a little clearer idea of what a guitarist does. Afterward, there was a particular treat.

I’d heard of Six String Nation  before. It’s one man’s quest to unite his country through the instrumentality of a guitar built from sea to sea to sea. Actually, it was built in Nova Scotia, but its materials come from a representative sample of the Canadian dream. Its wood comes from a Haida-Gwaii albino spruce, a Wayne Gretzky hockey stick and the schooner Bluenose. It contains copper from the roof of Parliament, a piece of Rocket Richard’s 1956 Stanley Cup ring, and a chunk of mammoth ivory, 60 bits of our history and geography. Jowi Taylor, the crazy guy behind this sweetly insane idea, has toured all over with the (as yet unnamed) Six String Nation guitar, and it has been played by all the great Canucks – Colin James, Bryan Adams, dozens of others. It has now also had a silly little blues line played more than awkwardly by Yours Truly. (I’ve never played standing up before.) A bunch of us lined up after the songwriters’ show to be photographed with this lovely little machine, and to make our suggestions for its name. (I’ve selected the archetypal Canadian name GORDON: think Gordie Howe, yes, but especially think Gordon Lightfoot, and maybe Gord Downie from The Tragically Hip, or even the name of the Barenaked Ladies’ breakout album, but don’t think about that goofy beaver in the Bell ads. GORDON isn’t as bicultural as I’d like, but it ain’t bad.). I got home very late, but I felt inspired to play ‘til much later in my own wee six-string neighbourhood.)

I began to notice, over the next couple of nights, that the Walden was wildly out of tune, but I couldn’t be bothered learning how to use my new electronic tuner because I was getting to the practice chair so darned late at night, and the Old Dog needs more beauty rest than you can imagine. The E and G chords were especially bad because my remarkable ear had begun to register that the low E string was brutally off. Travis Picking sounded terrible, but the movement and the rhythm are coming along. Nice!

On the road for weekend family visits, I released Wally from captivity in the forenoon. (It may be a “morning guitar”. And after my earlier vaguely erotic writing about my first moments with “her”, it may turn out to be a guy. Oops!) Looking out over a perfect little lake at Mother Margery’s, I figured out first how to use the tuner. (It works best with the batteries in it.) I twisted my very own machine heads for the first time! (Machine Head. Wasn’t that the name of a testosterone-friendly band in the 70s? Gosh, men are funny. What, didja think we were gonna call ourselves The Tuning Knobs?!) And MAN did the chords sound sweet. Read some rhythms (need to spend lots of time on the reading), played for over an hour. This is what I need this is what I need this is what I need… 49 days in a row. Only 316 to go in the daily company of my as-yet unnamed friend. Um, Walden? Waldo? Wally? (Wanda?) Or maybe even Gordon…

ODY: Week 6 (42/365). Old, Blue, Borrowed and New.

Just picking up Old Dog hairs from your carpet for the first time? The creation myth is here, and the first step is here.

I spent the first part of the week at a training seminar in Toronto, bunking at Sue and André’s place in a cozy Beaches neighbourhood. I’d dragged the guitar along, and kept the faith with some late-night strumming on Sunday. On Monday night, I got caught. André, husband of my wife’s old friend Sue, came home from work late and heard something that reminded him of music in his spare bedroom. He poked his head in to praise Sue for dusting off her guitar. Instead, he found me playing the ol’ Dégas in my underwear. Hurray! Male bonding!

I was training as a facilitator for the Virtues Project , an approach to teaching, child-rearing and relationships that puts fundamental human goodness right up front. Guitar Virtuosity was on my mind. Let’s examine a partial list:

Courage? (Check. Terrified of this thing, started anyway.)
Creativity? (Okay. I am making things. Basement noises. Muttering blogs.)
Enthusiasm? (Muted. Taking a jock approach: never too high, never too low. Should make more whoopee. Not what you’re thinking, though that’s not a bad idea, either.)
Determination? (Check. Day 42, kids!)
Diligence? (Long past due, but duly done.)
Humility? (If I needed more, this newfound clumsiness really helps.)
Idealism? (Larded with practicality and order, but hopefulness leaks through.)
Orderliness? (I have a good place. As for time, though, I shoe-horn practice into the absolute heel of my day, and the night-time, blues be damned, ain’t necessarily the right time…)
Patience? (Man, it doesn’t come easily, but it comes. Haven’t thrown anything. Yet.)
Self-discipline? (42 in a row argues for Yes, but the frayed edges of disappointment try to shout them down. I am disciplining Self to listen more to column A. All those days, whether purposeful or not, count. “90% of life is just showing up,” saith the prophet Woody Allen. I have showed up at fretboard and keyboard.)

Virtues I haven’t the nerve to acknowledge yet as part of this off-key odyssey:

Confidence. (A rumour, a far-away voice. So far, will and embarrassed enthusiasm rule.)
Excellence. (I have, however, just emerged from a pothole in the footpath to the parking lot next to the on-ramp to the road to excellence. That counts.)
Joyfulness. (I hear its giggle, but it runs away when I look.)
Service. (Hard to see what this does for others. Nobody-but-me for the moment…)

Tuesday was Day 3 of the Virtues seminar, and I was presenting some ideas and exercises on COMMITMENT. In part to counter-balance some of the syrupy-sweet or new-age ethereal music that had been played – but mainly to jumpstart my own courage (and humility!) – I went LIVE. I played a perverse kind of musical chairs (If you call that music. If you call those chairs!) with my new best friends. I had them scribbling some ideas in response to questions and challenges, and I (mercifully) didn’t give them much time to write. Mercifully, because their writing time was defined by my playing of “A Blues Riff”, first very slowly (à la Week 2 and 3) and, later in the exercise, as fast as I could go. Going public. Visible (and risible) commitment. (Merde, did I make a lot of mistakes!) Concentration was probably hard for them, as I inserted some startlingly realistic enactments of mock frustration. It was lively, let’s say that, and we laughed a lot. (Commitment is too often a grim, ominous and guy-unfriendly concept.) And that turned out to be my playing for the day, because I wasn’t back to my borrowed bunk ‘til 1:30 a.m., with an important meeting about the Old Dog Year the next morning, bright and early. But most importantly, I chose an intimate circle of gracious encouragement. So many pats on the back, so much praise for this tiny outreach to the Muse of music. I smiled and smiled.

The Wednesday meeting was an assessment of interest about this Guitarzan spasm of learning and all the on-line thinking I’m doing about it. Interest? ‘Fraid not. A busy man had the courtesy to indulge me with a meeting but hadn’t even looked at the submitted collection of entries on the first 31 days of the Old DogYear. Garn! I’ve learned what doesn’t work, anyway. And then it was the long trip home and another exhausted midnight guitar run. Commitment feels strong, though confidence is wobbling. This would have been the night of my second group lesson, but I missed it. I wonder how much farther KW took us.

The end of the week found me back in the beloved basement. Same old stuff. The dullard within. But doing all this repetition feels like early summer days, when the strengthening sun slowly burns off the fog of morning. KW had thrown lots of chords at us, and they’re coming. I’m starting to remember how to configure the C chord, but I’m also hearing what C sounds like and how it speaks to G and D. The little finger-picking sequence that the guitar guru showed us, an initially unruly little gang of 4 notes, began to resolve itself into a smooth and brainless pattern. Look, Ma, no eyes! It’s very relaxing, actually, quite a mind-emptying finger-dance where the digits are starting to remember their steps without my help. Sweet. A little less old. A little less blue.

And a LOT less borrowed, broken-necked Dégas guitar because, on Sunday, I finally pulled a Major Commitment Trigger by buying A NEW GUITAR. My guitar! I wanted to dance and giggle but, to my credit (or shame), I took it all in stride. It’s a Walden guitar – a D550, baby! – a solid-topped beauty that I got on sale for $200 at the Ottawa Folklore Centre. It’s a folk guitar, not low-rent classical as the Dégas was, so the strings are metal rather than nylon. The B and high E strings are like razor wire, so there is another level of fingertip toughening to come. They’re also the same colour as the – what is it, the pick-guard?—that guitar-body armour below the sound hole, so these eyes have trouble picking them out. Guitar Guy at the OFC spoke warmly and knowingly about my Walden, and I feel good about this machine. I bought a stand, an electronic tuner and a humidifier, none of which I know how to work yet. The humidifier is a fairly simple and obvious thing, though I hadn’t considered how dryness could affect a wooden instrument. I’m not sure how it sits, so that’ll be Question 67 or 68 when I go for the next groupthink lesson in a couple of days.

It’ll be fun to show off my new lovely, but I’m scared to play with her. She makes sweet and unfamiliar sounds that my borrowed love was incapable of making. The music we made was obviously much more full and rich, but I strummed as if I was nervously coaxing melody from a crystal vase. I missed the Dégas. This new friend doesn’t yet sit comfortably with me. I wanted to whale away with my mock solos and percussive energy, but I felt nervous and reserved. I wanted things to feel comfortable right away, ‘cause heck, she’s beautiful, she has a gorgeous voice and body, it’s a fresh and exciting start and besides, that first date had cost me a pretty penny! I guess I shouldn’t be surprised that there were those awkward pauses in the conversation, that I was unsure about how to treat her and how she might respond to my overtures. It was a tense kind of fun, though, and I’m pretty sure we’ll be seeing each other again.

ODY: 35/365. Weekly, Not Weakly.

I showed off my calluses today. Sitting in a seminar, engaged in a getting-to-know-you with Kim, I mentioned the Old Dog Year, that there’s a trick with a guitar that I’m learning to do. She plays, she composes, and so she had that warm and knowing interest. “Five weeks. Nice. How’s it going?” I offered her the fingertips of my left hand, and pointed out their toughness with bashful pride. She smiled. She got it.

Yes, there are moments when a chord comes out clean, or when the picking fingers work with a mind of their own. I slide into automatic pilot, a brief patch of detachment when I can let go and listen to what my hands are doing, no strings of wilful insistence attached. Easy. But one of the most valuable signs of progress is a blunt and fairly stupid one, but I like it: I have hard fingertips. My calluses remind me, when the guitar or even thoughts of it are distant, that I’m putting in the work. It’s like being able to catch a hardball in the palm of your glove without pain, cutting and jump-stopping in basketball practice without fear of blistered feet.

My belly is softer and rounder than I ever thought possible, but my digits are tough and nimble. I’m a hard-body! (From the palms out) Today makes five full weeks in which I have strapped myself to a chair and Done the Thing each day. Nearly ten percent of a year. Victory is mine! It is good to look back on 35 days of required clumsiness and see what small advances have been made. I’m proud of you, Old Dog! Good stuff! I almost said that out loud, and came dangerously close to actually believing it.

The thought of picking up the guitar every day is a pleasant one now. I’ve made friends with it, and it’s teaching me well though it cares not at all. I’ll keep the streak going, but I think from here I’ll record my progress weekly. Until Week Six. 

ODY: 34/365

I drove nearly six hours today and caught the last quarter of a high school girls’ basketball game featuring my old friend The Don’s team. The coach and I grabbed a quick post mortem pizza, and then I was off to visit my dear and declining, my barely but contentedly pre-mortem Mum. While there may still be hope for her fourth-born child, there are no more new tricks for this noble Lady. There’s not much left of her at all, now, unless you count a radiantly kind heart and a mind that, while it may not remember my visit ten minutes later, can sing the Oakwood High fight song from the 1930s and recite the 23rd Psalm. She smiles at me even when she’s not sure what I’ve said. “I’m happy with my lot,” she murmurs to me. “I’ve had good kids.”

Another hour got me to my big sister’s place, where I grazed near her fridge just like I lurked around my mother’s all those decades ago. For all my mocking of mid-life charges at windmills large and small, I do have to give myself a smidgeon of credit, though. In spite of cross-eyed weariness and my preference for Stealth Practices, I started messing around with the strings even while Sister Pamela and I caught up on some of the down-home news. And then I forced myself to do some determined if bleary playing before sleep. So yeah, this entry is a day late and several ideas short. But it’s almost five weeks now. I’m not sure who will come and what it means if they do, but I’m Building It. I am never so happy as when I am building something: a skill, an organization, a graceful sentence or a fresh capacity. Confidence in the young. Hope among the disappointed. Peace for the aging. Friskiness in my fingers…

ODY: 33/365

Oh, what a practice tonight! I have so many new things to fiddle about with, and almost no time for brainless drumming. (Almost.) The G and C chords are new and awkward, but they came along fairly well. A was already familiar, and I had a remote acquaintance with D. The picking sequence that I learned two nights ago started to feel do-able. Tomorrow, I may try to do both at the same time. Maybe. A full hour of mostly happy exploration, ending with the usual deformed and painful claw at the end of my left wrist.

ODY: 32/365. Night Class.

So there I was, learning to play with others. Sort of. Nine nervous grownups with that bright first-day-in-school blush. I even thought KW, our teacher, had a bit of a shine on, but he’s been doing this a long time. Maybe it was because he was distributing, in two piles of photocopied paper, his book. Ah, so this was a literary soirée, minus the canapés and the booze and, ah, staples. For me, it was a first chance to learn this new thing with people beyond my immediate gene pool.

There were nine chairs, nine music stands, and between them were six women and three men awkwardly hoisting their new best friends. We sat in a small basement studio in a northern capital city. A quick inspection confirmed that I was the oldest of the dogs here at Guitar Obedience School. (Wouldn’t have it any other way.) The hour went quickly.

It took a while to get the pages collated. KW’s amplifier had several ideas, few of which had anything to do with powering his little black axe, with which he hopes to be audible over our group’s acoustic cacophony. The cellar studio held a bizarre stew of tunings, and I knew that either I or the guy next to me was in a hopeless state. K shut us down quickly. “Let me give ‘em a quick tune.” Mine gave him a challenge, but he was pleasantly surprised that my crippled Dégas – “let me put it this way, they don’t make a high-end guitar” – actually made a decent sound once he’d cranked it about for a few minutes.

Not so with my near neighbour. “You have a bass guitar,” KW said. Twenty minutes later, he admitted defeat. “This is impossible to tune.” No wonder the hour went so fast. He talked us through some of the basics. I discovered that I’d even been holding the thing wrong, which is part of why my left hand has had so much trouble finding a way to make chords; the neck should be tipped upwards, but I’ve been perching the guitar on my right thigh so that it was quite horizontal. Oh. Okay, then. He reassured us: “You’re going to have a long time where you say, ‘Damn, I suck!’” He implored us to buy electronic tuners. He flew through a couple of chord diagrams to great passivity. (Calm acceptance of the familiar? Hmm. I’m betting on stunned incomprehension, but maybe that’s just me.) He showed us a little finger-picking sequence, showed us how to read the chord boxes on page 17 of his manual – thanks to my sons’ pencil diagrams and emails, I understood them; YAY! – looked at the clock, grinned sheepishly at us and said, “Bye!”

Oops. Later, the guy in the music store upstairs cheerfully pronounced my guitar “unplayable”, and explained to me that its ridiculously “high action” was not an expression of macho praise but a mark of how far above the frets the strings were. (I probably should have bought the Walden guitar they have on sale. It sounded JUST a little different than mine, and wasn’t one of the $2000 jobs.) When I walked out into the night of this Brave New World of Musical Education, I was a bit bewildered, but pleasantly so. Nowhere near catatonic, but I think some of my classmates were.

ODY: 31/365

As I said a couple of days ago, I do have to get out more. Out of myself, especially, out of my head. I want, too much, to keep my progress secret, to develop In House, to fulfil that mythology of the Self-Made Man that is so central to our cult of individualism, whether rugged or otherwise. (It’s a damaging myth, especially for the males at whom it is mainly aimed.) When I was in grade 7, my grasp of physics was even less certain than it is now, but here’s the thing. I believed that if I could only get strong enough, I’d be able to grasp the seat of my desk with one hand and the side bar with the other and lift both desk and me off the ground. I really did. At some level, I think I still do. 

When I tried out for the varsity basketball team as a walk-on in my second university year, I was in tremendous physical condition: stairs, weights, long runs, line sprints. I’d had a gym mainly to myself, and my shooting and handling had taken a huge jump. I was only 5’11”, but strong and quick. However, I had never spoken to the coach, had failed to find the best games where the stars and the other wannabes were. When tryouts were on, I suddenly turned into Mr. Team, distributing the ball and not showing off until too late the individual skills I’d worked so hard to hone. In short, I made every mistake in the book, which mostly came down to this: I was trying to lift myself by my own bootstraps. I was too much on my own.

 

So tonight, the Old Dog will be doing something he is not wired to do (the New Routine). As the next step in my year-long quest for mid-life guitar glory (the New Trick), I am going to join a bunch of other beginners at the Ottawa Folklore Centre. Guitar 101. (And with all these days on the Dégas, an el cheapo instrument that my son pulled from the garbage and glued, I’d better be better than anyone else! Absurd Expectations R Us.) But here’s the real point. I’m going to try the easy way. I’m going to learn from experience. Success leaves clues and I think I’ll try to read ‘em. It’s not worth less if I get some help along the way. Try easier for a change…

 

Sheesh. You’d think a teacher and coach would know these things for himself. What I have taught, in the main, has been stuff that I do (or did) pretty well. But when I’d encourage kids to work together in mutually challenging, mutually reinforcing groups, or to find someone better than them and follow in their slipstream, I was preaching to the preacher. I still am. Still trying to shed the label I’ve worn so long, even as a team sport athlete: Does Not Play Well With Others.

ODY: 30/365. I Guess Not.

I don’t know what I’m doing when I do it, but I do it anyway. I love to mute the strings and mess around with percussive strumming and picking and fretboard assaults with the left hand. Especially when I’m brain-dead tired and another halting run through “A Blues Riff” or “Bonanza” feels too much like medicine. (Buckley’s. Cod liver oil. Not the sweet grapey stuff you get at the drug store now. Shoot, we used to figure if you didn’t gag on your medicine, it wasn’t worth taking! We used to eat burnt toast on a sore throat and never even chew it. Made you strong!) Work on a new chord? Left hand says, “I can’t want that.

The Queen of Encouragement generally stays away when I’m in the Old Dog Gimme (Guitar) Shelter, but tonight she crept downstairs while I was noodling a rhythmic monotone on a muted string. I was hypnotized by it. She said, “Is that supposed to be music?”

ODY: 29/365

Missions accomplished.

1. I had a good and satisfying guitar workout. The B7 chord, however, is a brutal thing. How do I get my paws around that?

2. I’m signed up for group lessons. Two nights from now. Beginner’s class, and I’ll have a 29-day head start. No pressure, but if I’m not the class prodigy I will melt like a water-logged witch.