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Have you missed me? (I’ve missed me.)

In the ongoing whirl of readjustment to Ottawa living, my bride getting back to work, and me coaching junior varsity basketball as if it was played on Mount Olympus, my writing routine has been thrashed. I haven’t been a very productive pen monkey. (Chuck Wendig grimaces in violent dismay and arse-kicking encouragement.) The good recent news is that a quite fine (thank you) American website, The Classical, ran a much-revised version of a piece on my Rugby Daddery and the Adventures of Son the Fourth in learning a brand new game. @classical specializes in long-form writing about sports, stuff that goes beyond the stats and standings. This made me happy.

I should have reviewed the film Whiplash, a disturbing, slightly over-the-top examination of a crazed mentor — in this case, a musical rather than an athletic one — and his perhaps equally nutty victim/protegé. I ate it up, loved and hated the thing, and have been thinking about the making of excellence and just exactly where that line is ever since. Yes, this was at the mighty ByTowne. Whiplash is a claustrophobic, in-your-face depiction of an extreme teacher-student connection, and J.K. Simmons is infuriatingly great as the megalomaniacal mentor. Okay. I suppose I just did sort of review it, but also have wanted to get to a Better Read Than Never review of John Feinstein’s The Last Amateurs, and an account of a brilliant human rights lecture by Payam Akhavan, and reflections on not living in China anymore, and more on books I’m eating, and I haven’t said a word about Ferguson or Jian Ghomeshi or the wars we try to forget or the Toronto Raptors…

…and don’t get me started about my stillborn books. (Thanks for not getting me started.)

The posting pace is about to quicken, I hope I hope I hope. Here’s what’s been going on recently here at JH.com, especially for you newbies.  If you’re a strange lurker here, WELCOME! The bits below will help explain how all this works:

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George Monbiot (on economic growth and the dreaded WHY)

For his quirky autobiographical note alone, I'd admire the man.

For his quirky autobiographical note alone, I’d admire the man.

For most of our politicians, in most of our countries — those who are elected to preserve and advance a governance system that appears unable to consider anything besides economic growth as keys to the good life, the good society — George Monbiot is on the lunatic fringe. His book Heat: How to Stop the Planet from Burning (2006) was unsparing, openly pessimistic and radical in the original sense — it called for fundamental change in how we look at our governance, our lifestyles, our future, everything. “Radical” means “going back to the roots”. Those that we invest with the authority to make societal changes aren’t often interested in radical thought, partly because it requires so much thought and partly because it undermines their own privileged positions in society.

Here was Mr. Monbiot earlier this week, concluding a recent commentary in the Guardian newspaper — “Growth: the destructive god that can never be appeased” — with questions that the elected don’t often consider, but which citizens must:

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STRICTLY MID-LIFE: Crisis? What Crisis?

Here’s another piece — not that anybody asked for it, as Kurt Vonnegut once muttered in opening a collection of essays called Fates Worse Than Death — that now sees the light after nearly a decade in the electronic cellar. When I wrote it, I was in Ottawa, not yet in my 50s. Five years in China are in the rear-view now; we’re back in the same house, and visiting the same local complex for its library, pool and workout facilities. For reasons mainly organizational, this one never got posted, but despite the years that have passed, it’s nearly as true now as it was when it was fresh. And hey, how are you doing?

“Well, this sure isn’t Monday Night Football,” I thought. It’s been a long while since I was twitching and “ready for some football!” that late on a weeknight, anyway. But on this particular Monday, I was in the St. Laurent recreation centre getting ready to put the ol’ bod through its paces.

Now, I have spent more pigskin hours in front of the Sacred Tube than I care to remember, but Monday nights weren’t always about a football broadcast. They never are, now. Even as a kid, there were hockey practices, and from about age 15 on, the squeak of sneakers and the pounding of basketballs were the soundtrack to any given Monday (Tuesday, Wednesday…). Even in my increasingly clumsy thirties, as the rim somehow felt higher with each jump-shot, I could still be found running around on my wife on a winter evening. Nope, not a romantic betrayal, but another doomed attempt to outrun a bunch of teens and 20-somethings. The dream was dead, but I could still fool myself for minutes at a time.

It seemed, back then, that my competitive fever had finally broken. A successful night had come to mean a few jumpshots, a good sweat, a few laughs and no icepacks. (Well. I tried to define success this way, but I was chronically annoyed with my uncooperative hands and reluctant legs.) But there I was last Monday at St. Laurent,

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What Do We Remember?

First I tweeted, then I thought.

Typical.

Beautiful. Nothing wrong with this. Except --

Beautiful. Nothing wrong with this. Except —

I retweeted sharp, moving, bitterly lovely and earnest images: helmet and bayonet, Canadian flag, grey beret-wearing veteran among poppies in remembrance of long-lost ever-youthful brothers in arms. It’s only natural: I’m touched by the loss of “my guys”. They’re mine because even though nearly all Canadian war dead fought under a different flag than the one I’ve lived my life under, they came from places I’ve been, or want to. I’ve recited the poems, sung the songs, seen the films. I used to have McCrae’s “In Flanders Fields” by heart (the poppies blow), yes, and McGee’s “Oh, I have slipped the surly bonds of earth / And danced the sky on laughter-silvered wings…”, and a long time ago I read Timothy Findley’s The Wars like I was in one.

(Well, I know. John Gillespie McGee was American, but his “High Flight” poem celebrated his epiphany as a soaring fighter pilot for the Royal Canadian Air Force. He was dead, at age 19, not long after he wrote how he “wheeled and soared and swung / High in the sunlit silence”. It was a training accident. He hadn’t even had the chance to fight for honour, freedom or anything.)

A British man named Laurence Binyon wrote “For the Fallen” as the Great War was swinging into high gear in the late summer of 1914.

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Stephen King (on writing and magic)

On a day when I’m frisking about on my computer and getting lots of fine things done — none of which include me actually writing anything beyond overdue emails, which are not evil in and of themselves but do help me forget the Writing Plan (such as it was) for the day — I like to recall Professor King’s encouragement. This comes from his excellent book-length essay on the creative life, On Writing. 

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Richard St. Barbe Baker (on trees & believing)

I love trees.

My little town had looming, graceful trees on nearly everybody’s front yard. They surrounded the town square where I learned baseball, football, dare-devilry and cloud-watching. I was a boy of the trees: I climbed them, threw and hit balls over, through and around them, and sometimes could get an aching kind of wonder in my chest by just staring at the new greens of spring and the dry riot of fall. I can sometimes see the forest, but I prefer the trees.

He planted his last tree, days before he died, on the USaskatchewan campus where he had first studied forestry.

He planted his last tree, days before he died, on the USaskatchewan campus where he had first studied forestry.

Richard St. Barbe Baker isn’t well-known anymore, but he should be. The organization he began in Kenya, the Men of the Trees (along with another, the International Tree Foundation), is still active in dozens of countries. Its members are thought to have planted millions of trees.

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