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Jeff Daniels, Laura Linney, Squids and Whales

Wasn’t Jeff Daniels – and wasn’t Laura Linney – painfully good in The Squid and the Whale? Writers I admire, Johanna Schneller for one, absolutely rave about Daniels as an actor and make me want to see more of what he has done. (Possibly even to the extent of seeing Dumb and Dumber. Maybe. But a quick memory-serving surf to the movie site  just reminded me that he was also in one of my favourite movies, The Purple Rose of Cairo. Cool. I’d watch that again.)

As the writer Bernard Berkman, Daniels plays a character who is incredibly self-centred, so CriticalCensorious, such a bloody imperious phoney that it’s no wonder his best work is all in the past. He can’t even take on a decent affair (we won’t count the lusting acolyte out to conquer his cojones), which is certainly not his wife Joan’s problem. (Note to self: see more Linney, too.) She is as expressive as he is constipated about anything other than pseudo-artistic Pronouncements. Stuff just comes out: accusations, indiscrete comments to children, new men, New Yorker-quality stories.

For Noah Baumbach, this was a first film as screenwriter and director, and he pulled it off. The writing is clever and comically acidic. As painful as the episodes are, the tone is light enough that we can laugh at the pretensions and adjustments and attempts to cope. “Joint custody blows!” a throwaway line by a 10-second character, is at the thematic heart of the film. Divorce blows, say I, though it’s hard to see how this pair could’ve stayed together without similarly stunning costs to all. Good film. Saw it with son Dave, 17, child of divorce and shockingly smart about film. Official approval from him, too.

The Writer’s Relentless Quest for Imperfection

“All along the way, Hans Christian Andersen kept writing.” The world paid a lot of attention to HCA last year, and the bicentennial celebrations of his birth ended on December 6. And the above bit of homely wisdom for the would-be writers of the world jumped out of my radio today. The commentator had been talking about the trials, his loneliness and sexual ambivalence, but returned to emphasize the following essential and enduring facts about Andersen’s life: we know about the fairy tales (though I hadn’t realized there were over 200 of ‘em!), but there were also 4 autobiographies, assorted travelogues, more than 1000 poems and 62 novels. Makes me feel like I should go out and buy a brand new pickup. Maybe an Escalade. (That was a witty aside about overcompensation for my inadequacy. Literary inadequacy, I mean.)

And so I’m thinking about what slows me down, keeps me running from the inkwell. Helping me do that is a terrific workbook called The Artist’s Way by Julia Cameron. (Think I’ve mentioned this before. Well worth looking into if you’re interested in creativity and personal growth of any kind; she happens to be a professional (and an elegant) writer, but it’s about any art, any opening of the spirit.) And here’s what she has to say about perfectionism, one of my prowling, growling dogs of war:

Perfectionism has nothing to do with ‘getting it right’….It has nothing to do with ‘having standards’. Perfectionism is a refusal to let yourself move ahead. It is a loop – an obsessive, debilitating closed system that causes you to get stuck in the details of what you are writing or painting or making and to lose sight of the whole….To the perfectionist, there is always room for improvement. The perfectionist calls this humility. In reality, it is egotism.

I think she nailed it. Addiction to perfection is rooted in self-absorption and, Cameron goes on to say that, far from being a “quest for the best”, it can reflect one’s constant sifting of what is one of the world’s worst feelings: that nothing I do is ever good enough. Good enough for whom? Why? So screw that. Embrace imperfection! Uncertainty is life! (Exclamation marks are fun!)

Moms for the Holidays

Home again after the holiday trek through Ontario. Haliburton was quiet, homely and the wee traditions of the season were observed: dinner for my bride’s birthday on the 23rd ; Dylan Thomas on tape reciting “A Child’s Christmas in Wales” on the 24th (sweet stuff — “I said a few words to the close and holy darkness, and then I slept”); a few small gifts and, in the evening, plum pudding (with three kinds of sauces!) on Christmas Day. Quiet dealings, no reindeer, and modest gifting, though Sam loved his Whirly-O thingy with all the fun of its “gravitational, magnetic and centrifugal forces!” Somehow, I got to watch crazy amounts of sport, two basketball games and even parts of two NFL games, thus increasing my 2005 viewing percentages by infinite amounts. On Boxing Day we drove away, waving goodbye to Mother Margery and her beloved front porch SnowTroll™.

The Haldimand County homing was sweet, even if part of it now has to happen at Mom’s residence in Hamilton. It ain’t the same, but the Ol’ Girl loves to see all of us, even if she sometimes mixes up which grandchild is which (or whose). The idea of an entertainment review for her was a beauty, though there was a lot of avoidance behaviour on the part of the granchildren. Thank goodness for Christy, whose dramatic flair with Robert Service saved the rather dull offerings that some of the rest of us made. Or didn’t! Too much food back at Big Sister’s, but the conversation was as lively and interesting as I can remember. The New David (isn’t it remarkable how often SigOthers share the same name, hair colour or laugh as their predecessors?) stirs the Howden stew very engagingly, and his curiosity and interest in people pushed the conversation to very interesting and very funny places. It’s good to have our collective conversational cage rattled in such a friendly way.

The trip back to Ottawa yesterday was a long one, partly due to freezing rain and partly due to a satisfying stopover in Toronto, where I was able to interview Adrienne Clarkson, the former Governor General (my once-upon-a-boss), and her husband John Ralston Saul. They had agreed to give me an hour each for an infant  series I’m hoping will grow up into a fine book one day. I got more than my hour from each of them, and had an altogether sweet several hours at their new Toronto digs, which are lovely and busy and almost feeling like home. And the dreary ol’ 401 got us back home safely again. Looking forward to ’06.

 

And It Wasn’t Even the Grand River Sachem

I tried to be cool about it, then changed my mind. My review of McCourt’s Teacher Man made the mighty Globe today! Huzzah and hurray! I was supposed to be shopping for groceries in that Haliburton store, but why pretend? Straight to the newspaper rack I went, but I resisted the urge to buy a dozen. It was as good as I remembered it: no horrible apprehensions of clanging phrases or throbbing clichés that only show up in ink. Martin Levin, the Books editor, took it just as it was, although his push to expand one section was a good one. So how long will it take me to get my own book reviewed there? This decade would be nice…

Haliburton is gorgeous. The snow is coming again. I always love this mom-in-law getaway, especially at Christmas. When I was teaching, it was an utter collapse zone, a sweet decompression that was never quite long enough. Nowhere to go, nothing to be, and nobody knows my number.  But tomorrow, there will be SnowBorgs.

Stalking the Editors

The pilgrimage to Toronto — holy of holies for lit-wits Canadian — continued today, with much to love and great good luck. Martin Levin, Books editor at The Globe and Mail, had agreed to meet the Writer Who Came in From the Cold (of Ottawa), and to the surprise of both of us, I walked out with Teacher Man by Frank McCourt and a review deadline for next week. Yippeeee!! Right up my street. The Walrus magazine wasn’t far away, and its editor hadn’t gotten my emails, but I still got an hour in a coffee shop with Ken Alexander, another former teacher and avid basketball coach (it just took him less than 20 years to escape). Hi, Ken! What he’s doing is a nervy thing, and I admire it. Good mag, too. I want to be on its list of writers, a good list and getting better.

Love is All Around. No Need to Waste It.

Sitting in a little Chinese restaurant on Dundas, it occurred to me that I actually like Toronto. This small-town boy, in his mid-20s, escaped a year living in TO with loathing and resentment. I hated the place. I got a knot in my gut for years afterward just approaching the skyline via 403 or the QEW. I’d worked in retail (ugh!) at the heart of the garish Yonge Street strip (vulgar, garish, soulless, unkind, uname it…).

And now every time I come here I’m tingling. I want to come again. (New York City shocked me in ’02 by being loveable, Rucker Park right through to the Staten Island ferry, Manhattan to Yankee Stadium.) Queen West, Spadina, Nathan Phillips square. Arty shops, that incredible subway system that gets you all over the map quickly, shows at Hugh’s Room, and all kinds of people. I wasn’t ready for the people back then. My circle was small. My town was small. My town was white. (Six Nations Reserve was next door but it was another country.) I must’ve felt pretty substantial there, and I felt invisible in the big city. I must have hated the anonymity in Toronto – nobody knew my name, either, Mr. Baldwin, not that I’m comparing my comfortable little existential adjustments to your experience – but also the noise and the indomitability of it. It scared me. Maybe that was it.

But today, I wanted to do the Mary-Richards-in-Minneapolis thing, spin on my heels and toss my fluffy hat in the air. Just one fluffy hat short. If I can make it here. And all that. Hey, anybody want to read some stuff? English not good? No English? That’s okay! Here, take a look at what I wrote, you’re gonna love it…

Just Say NO to Reading

Readers are Leaders was one of the main mantras of my teaching career, and no doubt it also soothed me regarding the undeniable Rightness of my constant hunger for text. But one of my annoying little assignments along The Artist’s Way this week has been reading deprivation. In a life like mine, that’s not such a small thing, actually, and though it has been easy to slip into that mindless groping for typeface, I’ve been surprised by how much I like it. It’s a relief. It makes me realize (again) that reading is not some lazy-boy dodge for me but a ravenous, indiscriminate and chronically unsatisfiable quest. I highly recommend it to the reading-addicted.

“Readers are leaders!” I harangued my classes, but “put the book down and go DO something!” has been a regular jab at my hyper-literate sons and even, now, their book-snaky Dad. “They say that life is the thing, but I prefer reading!” That has long been one of my favourite quotes (I forget who wrote it), but it’s not quite so funny anymore. It’s been good to find new ways to live in the evening, and it wasn’t all Adventures in More Timely Housework (though I even enjoyed some of those). I finally repaired those loveseat cushions. You might say it was only packing tape, but it was Industrial Design to me!

I Have Friend (Possibly Even Plural)

You may not have a Deirdre in your life, but if you ever have the chance, get one. Through no fault of my own, I did and I’m a grateful writer dude. I have My Own Private Deirdre and she’s great, even if I have to share her with everyone she’s ever had at hello. My kids like her kids, some of her friends are my friends — it’s just the best kind of ridiculous luck.

Lunch with her was my little treat for myself this week. She’s a Bahá’í friend, she’s a writer, she was my predecessor at Rideau Hall and the reason I knew there was an opening there (and thanks, Wendy!). She’s one of the best people I know in combining brains and encouragement. Somehow, it’s not as common as it might be, as it needs to be. I came away feeling good, feeling happier and (consider the odds!) smarter. It’s strange, the power of Deirdre. And then I hung out at the Running Room, buying nothing but soaking in that old feeling of athletic camaraderie with strangers who know sport and respect those who know it in return. Good afternoon!

Fumbling Toward Creativity

I’ve been working through The Artist’s Way by Julia Cameron, one of the most intelligent and illuminating personal development books I’ve come across. It’s an openly spiritual (and determinedly non-religious) take on the act of creation, and its message is simple: there’s a Creator, whatever you choose to call Him/Her/That; the world may be material but it is infused with spirit (and so are we); creativity is not some hoarded magic bestowed only on the few, but essential to human life and accessible by the many. The book asks a lot – it’s a 12-week program in “creative recovery” and there’s a lot of work involved in finding that free and open acceptance of our possibilities.

And Carol invited me to talk about art and spirituality at a meditative gathering she does in her home. We prayed, we talked about the forms and the importance that creativity takes in our lives – beauty, order, reverence, making, delight – and then we demolished gorgeously adorned trays of spirit-lifting goodies. Sweet. I’ll do that again, even if the food is not so smacktacular. “Tapping the Creativity Within” was our title; sounds like maple-syrup time. And it was, actually. I was suggesting that we need to provide an outlet for the sweet and juicy stuff that unceasingly flows from our spiritual roots to our intellectual (and hand-some) leaves. Nice. I like this image because it makes art something useful, delicious, natural. Sappy if necessary, but not necessarily sappy.

Repertory Cinema and Sentimental Radio

I was quite taken in by The Beat That My Heart Skipped at the Mighty Bytowne Cinema last night. A French film by Jacques Audiard, not someone I had known before, but it’s gritty and kinetic and tough-minded. (Much of the dialogue was slangy enough that my attempts to forego the subtitles found my conservative ears missing whole chunks, forcing my eyes back into double-duty. No great hardship, but a slight poke at pretensions of fluency.) It asks the cinematic question: What happens when a restless thug finds in himself an obsession with and a talent for classical piano?

It’s a remake of something apparently very cheesy called Fingers that Harvey Keitel was in early in his career, and I wonder what an American film made of that ending. Presumably, it was much more sentimental than the French one, with a not-quite-redemption scene charged by a brutal return to the life left. I’ve never seen Romain Duris in anything, but he was a dynamo, as deeply believable in this straddling of two utterly different worlds as the film itself sometimes was not (but not often). We cheer for him, are compelled by him, even as we find him a difficult character to like. I’d go again (if I had a teenager’s time).

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And, in an odd but soothing cross-cultural conjunction, I also lucked into the last night for Mary Lou Findlay on As It Happens as I drove away from the movies. [Warning: indignant rantings of an unrepentant CBC Radio-lover to follow. “What do you mean, you don’t know who Mary Lou Findlay is? Next, you’ll be telling me you’ve never heard of Michael Enright!”] I don’t often listen to AIH straight through, but I spent a fair amount of time last evening sitting in parking lots instead of completing my errands. It was a nostalgic journey of the kind I’m profoundly prone to: the best and funniest archival interviews done by Findlay, and warmhearted exchanges with her friend and partner, Barbara Budd. Such good and thoughtful people, such good and thoughtful radio. Fun.