Petrarch (on lost souls and tennis)

In pursuit of a possible piece centring on the too-soon departed David Foster Wallace, that brilliant and neuron-crackling and ultimately doomed writer, that Guy with Curious Hair (and an ever-present headband), that Broom of multiple Systems, that brain of infinite zest, that Pale authorial King, that supposedly fun-tastic writer-thing he’ll never be or do again¹ – and oh, the loss that was to us, though too few know it! – I bought a posthumously issued collection of his essays, Both Flesh and Not. Before I could even finish the first piece, his classic take on the on-court genius of tennis god Roger Federer, the universe delivered a piping-hot review of another posthumous collection of all the tennis-themed Wallace oeuvre. (It’s called String Theory, which title is a tidy bow linking ribbons of jockery and the nerdiest domains of physics. Would Wallace have approved of the title? Sure, it’s a pun, but not the most brainless, after all.) In eager pursuit of writing I didn’t actually have to do – that is, somebody else’s – I was electronically extracted from the old-school pulpy pages of Both Flesh, (surely by Twitter, or perhaps it was Wikipedia?) pricked by precisely God-only-remembers-what in the Federer piece, and then virtually dragged to an on-line review of String Theory, which rubbed my ever-forgetful nose in pungent memories of what little I know of the desperately sad and finally self-destroying DFW, laden meanwhile with my own fumbling, muted, doomed urgency about doing whatever for no particular reason or special benefit to anybody but my imaginings, vain or narcissistic or otherwise.

This is the author photo for "Both Flesh and Not". Very high, this man, on my Wish I'd Met Him list. Reading more will only make this worse, but that's okay.

This is the author photo for “Both Flesh and Not”. Very high, this man, on my Wish I’d Met Him list. Reading more will only make this worse, but that’s okay.

¹ DFW was famous, in his essays and even in his novels, for an exuberant use of superscripts and page-end notes, digressions and elaborations that were just as fascinating as the central march of his subject. Sometimes there were end-notes to his end-notes. This note of mine points back to a set of descriptions each of which nods to one of his most important book-titles. Way too nerdy-clever (clerdy! nerver!), I know, but I had fun.

And somewhere in that review was Petrarch,

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