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Dwight D. Eisenhower (on the price we pay for war)

“Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. . . . This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron.”

Was it politics-as-usual, war-by-other-means, or were his words the earnest thought of a man who really knew the price of war?

Dwight David Eisenhower (1890-1969) was the Supreme Allied Commander by the end of World War II, first military head of N.A.T.O., and then a landslide Republican winner of the 1952 U.S. Presidential election. He served two terms as President, during which the Cold War deepened and America prospered mightily. This quotation comes from his widely broadcast and historically notable 1953 “Chance for Peace” address, sometimes known as the “Cross of Iron” speech. Even Wikipedia notes the “debatable” sincerity of his words, and yet they are urgent and fine and no less true today.

He elaborated the purely economic price of the arms race like this:

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Edward Gibbon (on consultation)

“Conversation enriches the understanding, but solitude is the school of genius.”

Edward Gibbon (1737  – 1794)was an English historian, most famous for The History of the Decline and Fall of the Roman Empire. To be entirely self-centred, I’m not sure if this quote tells me more about my lack of understanding or my dropping out of genius school. It does remind me that nobody can do my most important work — whatever that is — but me. This idea may express an outdated, super-individualistic view of exceptional accomplishment, and it might not.

Better Read Than Never: THE WAR OF ART

[As with most of my “BRTN” reviews, a more concise version of this review will be published in an ex-patriate’s magazine in my Chinese city, Focus on DalianI can buy a pizza with my fee.]

I finished my third reading of a favourite guide – or was that four? – not long ago, and realized that I haven’t written about The War of Art much. (There are many scribblings and fluorescent highlightings in the pages of Steven Pressfield’s brief 2002 masterpiece on the struggle to be creative, and I have a seminar in mind, but this is my first sustained post, I think.) This is a book to be read and re-read, and is sometimes uncomfortably insistent on cutting through the crap and requiring a response from its reader. I hope you won’t avoid it on THAT account!

Pressfield might be best known for his first novel, The Legend of Bagger Vance (and the Will Smith movie that was based on it), but his main niche is historical fiction.

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