Paradise by the Carney Lights

Well, maybe not paradise, exactly, but I found a small flood of spirit in the midst of Mammon last night. The Ottawa SuperEx was opening in all its sticky-fingered, gut-heaving glory. The girls had layered on the mascara extra-thick, the boys were gelled and bare of arm, and the same classic rock was blaring from (mostly) the same rides. And I swear that the exact same guys were trying to extract money from my pocket as when I was a flat-bellied kid trying hard to impersonate a Man at the county fair. Can’t win if you don’t spin.

But weirdly enough, just next to the BMX Oooh-Factor Bike Ramp – not its real name – was a stage preparing for a “Joy of Faith” concert. Prayer and proclamation facing down snowcones and kewpie dolls. Hymns and dancing and spoken Word versus the Ferris wheel. It was an odd conjunction but a rather sweet one. The Hindu and Jewish community choirs were in full voice, as were a Mormon crooner and a Muslim rapper who mixed gangsta sounds with between-takes appeals for peace and understanding. The Jain and Sikh communities delighted with colour and dance, and a thundering band of evangelical Christians blended power chords with the Book of Revelations. Bahá’í youth sang and spoke and played in French, English and Gypsy Swing. (Django Reinhardt at the corner of Faith and the Fair! That was better than fun.)

Beside the contrast between the midway and the spirit way, there was an ethic of appreciation for the different ways in which communities express devotion. Some groups were clearly more comfortable than others with this concept of a shared spiritual heritage, seeing unity within religious diversity. But they all came to the table, and they carried something more than caramel corn. I liked it.

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