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ODY: Weeks 18/19. 133/365. Home and Hearth.

Well, I just keep hacking away. It’s all about hideously retro concepts like faith and, ugh, duty. I can do dutiful, but it wouldn’t hurt to have some beautiful. I could sure use some inspiration. Just after the funeral dirge that was the last progress (?) report, I actually put together two really fine days of practice in a row. Whining is virtue! Venting can be fun and productive. Catharsis lives!

There was no aha, no shining moment of clarity. But as has happened before, coming back to work on smooth and semi-automatic chord changes did the trick, for a couple of days anyway. The Big Picture was awfully cloudy, but the microscopic viewpoint helped me see some new things. I realized that my index finger is always en retard when I’m shaping a D chord, so I’ve been focussing on getting that reluctant follower to lead for a change. He’s still not trustworthy, but Finger One can surprise me by doing what he ought to without me having to remind him every time.

Because we were either on the road or doing home improvements for much of the last two weeks, it was as if my 100-Day guitar habit had never been. More than once, I staggered gratefully to bed after a too-long day, pooped and dim-witted, only to realize that I hadn’t visited the Six String Chapel that day. Argh! Much groaning and rationalization ensued. Don’t be so anal. It’s after midnight anyway, so what does it matter? Besides, maybe One Missed Day – oh, the horror! the horror! — will give you something more interesting to write about, you know, the tragic death of a perfect attendance record (what is this, Sunday school?), and the inspirational story of overcoming that awful setback and building anew. No? Well, how ‘bout this? Just between you and me and the dishes in the sink, nobody cares whether you miss a friggin’ day! You’re not that important! This is about as meaningful as a dog taking a dump in the woods. Rover has a consecutive days streak going, too.

One of those days was the Princess’s birthday, so to that snarling voice was added her sweet one. It had been a quiet and lovely evening, and sleep was calling when the realization hit. “Oh, stay with me, it’s so warm. And it’s my birthday…” Now that was pretty convincing. I came close to falling from musical/dutiful grace, such as it is, so I had to summon my best argument. (Not so much to convince her, but myself. And it worked. It might even be true.) “If I miss one day, a second one won’t matter. Next thing you know, a week’ll go by and I won’t mind much. I’m not in lessons, so who’s gonna notice? The thing is, I feel like I could mail the whole thing in. It’s bloody fragile.” Okay, so maybe I’m a drama prince. (We all gotta get some drama somewhere.) But this Guitar Player persona IS fragile, and I could lose my tenuous toe-hold on the sheer face of music very easily. So I stumbled down to my mom-in-law’s laundry room, leaned against the washer and played some cement-floor blues. It actually felt good, like a small sacrifice that might someday have value. And the Princess was sleeping, and the bed was just as warm, when I gratefully crawled into it half an hour later.

A few days after that tiny crisis, I had a more comfortable perch in my big sister’s living room, and somebody to play with. It was the Return of the Itinerant Artist, into my personal space at least. While I didn’t get as much time as I’d hoped for guitar renewal with my music guru and son the IA, it was marvy good. He answered some questions, and made helpful observations on my technique and on my earnestly clumsy approach to this whole business. He showed me how to play the acoustic guitar line to “Wheat Kings” by The Tragically Hip. (It’s just G to C and back, with a D thrown into the chorus. Pretty much the same ingredients as CCR’s “Who’ll Stop the Rain”, but an entirely different rhythm. I’m going to have to hear it some more, because I’ve lost the feel of it.) We looked at my attempts at playing the Twelve-Bar Blues sequence – still having some trouble getting smoothly into the B7 chord, but I know da blues – and then the IA gave me a great and much-needed experience. “Okay, Dad, you play that line, over and over, don’t stop, and I’ll solo over the top of it.”

And away we went, two acoustic guitars in a quiet small-town living room, and I was playing MUSIC! I need to find way more of that. Holy Fun! ‘Course, when ever now and again I tried to get a little creative with my strumming rhythm, I instantly lost track of the chord changes. And it didn’t matter. The IA would just nod, smile and keep picking, and I’d gradually find my way back into the groove. Sweetness!

And on another road trip night, in another living room, brother-in-law Silent Paul and I followed our epic country walk with some guitar sharing. (He’s not so silent when it’s just two guys and some ideas that he cares about.) Actually, most of the sharing was his, as he’s a lot farther down this road than I am and actually performs in his church sometimes. He showed me a fine little sequence that starts with a different fingering of the basic E chord, leaving the first finger free. Sliding that same shape up the fretboard, and barring the 5th, 7th and 9th frets behind it with the free index finger, produces respectively a higher A, a B and (dropping finger three) a C minor chord. Nifty. SP got excited about showing me this guitar lick, and worked hard to figure out how to write the sequence of chords for me, since he plays it beautifully and brainlessly. I’ll need at least one more visit down home before I grasp this sequence – Paul gives me way too much credit – but it’ll be, at least, a fresh reason and a new way to work on barre chords.

Even better, it was a chance to share this way-too-solitary cruise with others. For those two nights, playing guitar was less lonely and more interesting. (This playing alone in my cave is what the IA mainly means when he shakes his head at my weird way of learning guitar.) I still don’t play well with others, or very much, anyway, but there’s hope. Two living rooms’ worth.

ODY: Week 8 (56/365). The Whole Fam-Damily.

I began the week with reflections on a family reunion. We’d booked a room in the seniors’ home where my sweetly declining Mum is glowing out her days. I made a grander-than-usual entrance because I was carrying a guitar case, which got the attention of the nieces and nephews. Lots of questions. (Mine: “What, you’re not reading my site?! You obviously need to get rid of your life – of course I’m playing the guitar!”) And yes, eventually, flushed of face and nervous as a 16-year-old knocking at the door with a corsage in hand, I played a little where people I know and love could actually hear me. I played clumsily and it didn’t matter a bit.

There was never live music at family gatherings when I was a kid. There wasn’t music, period. Neither our parents nor any of the five kids played at all. The next generation has done better. My children are the fathers of this man’s music-making. My sister married a quiet and stubborn man who taught himself to play guitar, and their girls play piano and more. Now there’s a son-in-law in the mix, a live-wire entrepreneur, guitarist and sometime recording engineer, and Jer was all over me. (He was like Dave the TVPI, my son and first teacher, except with Mediterranean hairiness and more manic energy.) He was very encouraging, and had WAY too much stuff he wanted to show me. (I hadn’t known how well he played.) This all let me off the hook of actually having to play for him, which was way too fine with me, but I did learn some interesting little twists on the G and D chords, as well as other stuff that may resurface sometime down the road. (I’ve already forgotten. Indigestion of the mental kind.) I have so much to learn, and it was fun to learn with a newly-minted nephew.

Quietly, in the background as he so often is, was Silent Paul, my brother-in-law. It has sometimes seemed that we didn’t have a lot in common. Our professional collars are of a different colour and our world-views sometimes far apart. If I am words and ideas, he is hands and things. But as the years pass, we find each other more and more when the clan gathers. (I admit that he annoys me mightily with that flat belly of his, but he has good qualities, too.) Later that day, he sidled up to me as we were about to hit the homeward road. “Keep pickin’ and grinnin’,” he said. A noble, quiet man says a lot with a little, and among all the reasons for enjoying playing the guitar, here’s another. It’s sweet to share a common cause with a brother. We sometimes run together when I’m down home, and now we have another avenue of DOING that we can share. Paul’s friendly and kind, but not much for sitting around and talking. He runs a huge crane in a steel mill. He works on his own car, restores antiques, installs his own hardwood floors. He envies my letter-writing, but I would like to have built a house and home like he has. Now we have a new thing that we can do together. It’ll be fun to learn with him, too, and I have another motivational deadline. I want to be a lot better by the next family gathering.

Back home, my next lesson was a slap in the head. I felt out of it. I couldn’t keep up with the chord changes that every one of my eight fellow bumblers seemed to be doing far better than me. Guru Kurt said the kindest thing: “Chord changes are the WORST. Nothing will bring out the I SUCK! in you better than them.” The whole week was a real plateau time where I couldn’t see much sign of progress. Some of this, my occasionally rational mind tells me, is because of Kurt’s method, or at least my response to it. I’m trying to learn many chords and techniques and note reading and rhythm reading all at the same time. He says that he wants to give us, in this eight-week group lesson, everything that we need to know to teach ourselves the guitar. He gives us a lot, assuming that we won’t be able to absorb it or quite keep up, but the plan is that we’ll have habits and a strong set of materials to keep on plucking after the course is done. Beyond that, though, I also have to hammer away at the repetitive strain of going from G to C, C to D, D to A (and on and on) over and over and over again. (“But play songs! Make up stuff! Have fun!” insists the TVPI by phone. There’s a balance.)

My final family lesson of the week came from the six-year-old. Sam has adopted the old broken-necked Dégas as his own. He keeps it simple. He started by holding it upside-down and playing left-handed; I might’ve left him that way, but he’s very clearly a right-dominant boy. I showed him how to hold a pick, and where his left hand might go (he didn’t care for much detail), and then he whaled (and wailed) away. I listened furtively while he composed his first song, strumming the same non-chord and singing the same flat and sweet little melody for every line, no matter how long it was. I’m a Dad. I found it brilliant:


I was alive since 2000 / I was alive since 2000 / Most of my friends weren’t even born / Thomas wasn’t born ‘til October / But I was born on April 6th / And I didn’t know them when I was a baby / But I didn’t even care if they were babies in their mommies’ tummies / ‘Cause I didn’t even have friends yet / But we lived next door to McDonald’s / And we were pretty close to a play structure…”

The next song in his repertoire involved more aggressive punching of the strings, while the lyrics came from the latest number-one-with-a-bullet grade 1 schoolyard song. (The part I don’t get is that he goes to a French school. As Ottawa’s francophone parents say, we have to promote and protect le français. In a city like ours, even kids who speak only French at home can pick up English like they do a cold.) And here’s how it goes. It starts off with an echo of Queen’s ever-present “We Will Rock You”, and then wanders into the ancient rhythms of nearly all the chants that every kid learns on every playground.


We will, we will, you know what? Kick your butt!
All the way to Pizza Hut!
I don’t care if you dare,
But don’t forget your underwear!

 

Words to live by, and an I can do it spirit to learn by, too. Thanks, little buddy.