My friend Sherri asked me to help out with an event she was helping to organize. So I did. I got to see a woefully underviewed but important film. For free. And I hardly had to do anything, but I got to write this:
Sherri Yazdani is a prairie girl, but as her surname suggests, she married into an Iranian family. Sherri is a mother, a storyteller, a lawyer, and when she stood in front of a nearly full auditorium in my city, she stood for human rights victims half a world away, yet not far from her family. She was a symbol, without making any fuss. She was there to bear witness to the ongoing, and indeed worsening, situation of the Baha’i community of Iran — maybe you’ve heard about this? — and to introduce the Ottawa screening of the documentary film To Light a Candle. She was one of several voices that brought local accents to its stirring international subject.
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Canadians familiar with Maziar Bahari likely know him from the 2014 Jon Stewart biopic Rosewater, or perhaps from the Iranian-Canadian Bahari’s best-selling memoir Then They Came For Me, the book that inspired Stewart to make his directoral debut. However, before his now-famous stay and forced “confession” in Tehran’s notorious Evin Prison following the suspicious 2009 elections, Mr. Bahari was Newsweek’s Iran correspondent and the award-winning maker of numerous documentaries. His most recent film is To Light a Candle.
Mr. Bahari, as part of a global campaign (www.educationisnotacrime.me), chose February 27 as an international day of conscience and awareness, and many Canadian communities screened To Light a Candle, supporting Bahari’s efforts to spotlight another notable injustice from his homeland: the Iranian government’s denial of education to Baha’i youth. (Bahari is not a Baha’i himself.) Nobel Peace Prize laureates, including South Africa’s Desmond Tutu¹ and Iran’s Shirin Ebadi, joined with Mr. Bahari and many other notable artists and public figures in speaking up for the beleaguered Baha’i community of Iran.