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Cezanne et Moi (and Zola, too!)

[3-minute read]

Blogs are personal, but as I think about how to begin this quick review – these things always seem to start with Me – I’m fazed by my self-centredness as a writer. Ergo, as a human, I suppose. Look how interesting I am! is what I hear now. Aren’t I clever? (Hurt. Hilarious. Lonely. Sensitive. Tough. Damaged. Special. Not Like Them. Better Than You. Worse Than You Know.) Ugh. But blogs are personal…

The poster. (IMDb helped.) Emile and Paul making their way.

I had done my duty to the fine young pair who showed up for Thursday’s SuperCool Chance to Play Basketball On the Freshly Varnished Hardwood Before School Even Starts! (Little O and Uncle Drew did great.) I had even been a good little writer afterward, though I confess that I cheated the typing gods by shortening the time. (Still, though, my thinking was interesting – take it from me – and I may have found a way out of a large, thorny maze where my book got lost.) Cezanne et Moi seemed tailor-made as a writer’s treat and re-treat, and it was the last screening at my cinema of choice. So yeah, I rewarded myself with a luscious dessert when I hadn’t actually finished my first course, but the guilt faded fast. I’m glad I went.

Irrational confidence alert: through BioPic Magic, I feel that I now understood 19th-century painter Paul Cezanne without much effort, and intimately know his lifelong friend and sometime antagonist, the writer Emile Zola, without having read a single novel of his. (But that’s what Wikipedia is for, right? Um, right?) I am hungry to know these two artists better, though, and was exposed to a nearly two-hour, loving meditation on friendship, love, and on the meaning and practice of the creative life. WIN. I’d gladly watch it again.

When you look up “old frenemies” in the dictionary.

It’s a gorgeous film to look at.

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Better Read Than Never: Wendig’s STAR WARS: AFTERMATH

[7-minute read]
“BRTN” is a periodic feature on JH.com, in which I write reviews/appreciations of books that are not exactly current. Today’s entry is, for me, rather timely; my last was on a John Updike memoir from 1989. The trouble is, time waits for no man — and neither does Chuck Wendig.

The second Death Star is destroyed. The Emperor and his powerful enforcer, Darth Vader, are rumoured to be dead. The Galactic Empire is in chaos….Optimism and fear reign side by side.

And while the Rebel Alliance engages the fractured forces of the Empire, a lone rebel scout uncovers a secret imperial meeting…

 

This is how Star Wars: Aftermath by Chuck Wendig begins. If you need more background information than that, then you may not have been living in this hemisphere during the last number of decades, and maybe this 2015 novel isn’t for you. Wendig – about whom more later, but let’s just say now that he is phenomenally productive, and a review like this is at least three novels behind  – adds full-length sequels in each of the next two years. The seemingly unbreakable Star Wars Rule of Threes continues its reign. Together, the trilogy forms part of a “new canon” of official SW material beyond the films themselves. Aftermath and its children form a bridge between the events of films over 30 years apart: 1983’s Return of the Jedi, and the grizzled-Han and dowager-Leia reunion in The Force Awakens (2015). (Yes, I know, other things happened, too. Luke, for example. And ‘droids. And light-saber battles.) I’m not an SW junkie, and don’t go near fan-sites or extended universes or fundamentalist skirmishes over what is and should be in the Star Wars canon. But like this novel, I do.

It is fast, inventive, breathless and constantly in the present tense, a Wendig trademark. Unknown characters appear in rapid succession, but with references to more or less familiar faces and names from the movies (Admiral Akbar, who does not age at all; C3P0, with upgrades). We know where we are, even when jetting into new worlds. On Coruscant, in one of Wendig’s several “Interludes” — short set-pieces that add context and flavour, and offer a place for him to stow away extra ideas — emboldened former Imperial citizens pull down a statue of Palpatine; see Hussein, Saddam, formerly of Iraq. Imperial Admiral Rae (she’s a woman!) Sloane has a toady and untrustworthy adjutant typecast to remind us of the unfortunate official Force-choked by Vader in the original Star Wars film. Although Wendig takes bitter criticism (surprise!) from many of the Star Wars faithful, Aftermath is an agreeable confection that blends the familiar with the rather wonderfully invented bridgework, with only the occasional bump.

The Empire is going, not gone. Akiva, as tropical a planet as Luke Skywalker’s Tattooine was dry, is now again crime-ridden, with ex-Imperials and ganglords competing for the spoils.

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More of a Skirmish. Fray Rejoined.

[2-minute read]

Easy title, tough challenge. Here we go.

I’m back.

There are endless things to write about, and an infinite number of slimy ways to wriggle away from keyboard, from pen, from the front lines. (Yes, I’ve been meditating on courage, and how life’s demands so often exceed personal supply. I can’t want that.) Courage. My word.¹ When I think of writers I heart the best – and it’s KV² I come back to ever and anon – it’s sometimes ‘how did they do that?’ (technically, commitment-wise) but mostly it’s ‘how did they do  that?’. That is, what allows or compels an artist to be so bloody BRAVE, or reckless, or whatever it takes to tell the whole truth?

¹ Courage: Gord Downie‘s word. (And Hugh McLennan’s.) Go, Gordon.
² That’s Kurt Vonnegut. Hi ho.

I’ve re-read The War of Art. I’ve had a big birthday. I’ve said ‘no’ to a major time commitment to an activity I love well beyond reason and balance. I’m summoning resolve. I plan to act like a professional. I’m ready to write again and more and still and daily. The title speaks of my renewal of effort as “more of a skirmish”, in the wider lens of the social insignificance of whatever I do, and because I lean hard into self-deprecation and other forms of egocentrism. But it’s big news in my little corner; this is my Olympics. This is struggle. Here is my war – one of ‘em, anyway. That will mean Way More Words from the Howdy Home Office, and some of them will appear here.

Hurray for here!

And if you’re a subscriber, bully for you, and thanks for reading. (And if you’re just stumbling into this, there’s a whole lot of earlier stuff on sport and men, culture and books, faith and fandom, learning and remembering, edges and ledges and the odd bit of ecstasy.)

Things That Do No Harm

[3-minute read]

It’s a day for making lists. It’s June, after all.

Mind you, I could be writing about another especially brutal bomb in Kabul, or the abdication of ecological (or just plain logical) leadership by influential nations, or the special kind of impotent cowardice coupled with childish indignation that moves a hateful little human to scrawl hateful toilet-stall names on a rich black man’s apparently uppity home. But not today.

It’s a green day in June. I spent some time thinking – she made me do it, one of those gentle coaching shoves – about harmlessness, which apparently isn’t so far from cleanliness, or learning, or trees, or spirit. I’ve made a list of harmless things, which might even be worth less faint praise than that. Like:

+ Looking for new beginnings in all the untimely neighbourhoods. Such as, oh, June.

+ Walking among trees and alongside water.

+ Railway bridges, even where the trains are extinct.

+ Saying “good mornin’” to random bikers, walkers and drunks.

+ Wearing an old synthetic baseball jersey – still brightly white! – with a big ol’ 22 on the back, going way back to the last time I was a reasonable facsimile of an athlete.

+ Being one layer short on a morning-walk-that-shouldn’t-have-been-that-cool-‘cause-it’s-JUNE-fer-cryin’-out-sideways! I guess it’s chill to be chill, though.

+ Writing and saying things like “for crying out sideways” and “keep your eyes peeled for my phone” that confirm my status as a genuine relic of a bygone age. I’m a fossil.

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Why These Seven?

(Two responses to this question. One is my apologia, my reasons for concerning myself so — and so often — with seven people I’ve never met. The other is for the Iranian government to make. How do you solve a problem like the Baha’is? They need new answers, to both questions.)

They have endured a lot since this photo was taken.

There are countless political prisoners in the world. We call them the “unjustly accused”, “prisoners of conscience”, and they’re everywhere. There are likely some in North American and European jails, too, lest we get too self-righteous. More commonly, though, “First World” inmates, even if wrongfully held, face punishments for minor crimes based on class or racial bias. A number of Canadians, one of my sons among them, make their warehoused fellow citizens a personal cause. I don’t. Nor do I devote much time to the, what, tens of thousands? hundreds of thousands? of souls locked up by tyrannical regimes simply because of opposition, real or paranoically imagined. As my mother-in-law says, pick only one or two lost causes to get behind.

So why was I writing little-read protests about the Yaran (Farsi for “friends”), the “Baha’i Seven”, two years ago, and 18 months ago, and again now? Why flood the Inboxes of my hearty band of Twitter followers with news of the continued imprisonment of this small group in an Iranian prison? Why these Seven? I’ll start with the lamest of my reasons, which also happens to be the most emotionally compelling. This is PERSONAL:

Because they’re Baha’is, and so am I. Global citizens, we in the Baha’i community are called to be. Lovers of humanity, and not simply of our own family, congregation, tribe or nation. But I can’t help it: I identify with these people because we share a spiritual choice, though our cultural backgrounds differ widely. Barely one in a thousand citizens of Earth belong to this community, and it is natural to stand up for your own. Necessary.

Because there’s no other way to fight. Baha’is don’t oppose their governments.

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There’s a party in my mind / And I hope it never stops

Party at Farm Boy! It’s my party, and I’ll write if I want to². (Behold: the second obscure pop-musical reference. Didja get the first¹ one?)

I don’t always write when I want to. I am not, and have never been, blessed with my bride’s Do It NOW! gene, at least when it comes to things requiring effort. TV, and fridge doors (see: opening of), and thinking about sports, and reading whatever falls under my eyes – these things come as naturally as does scrolling through a Twitter feed long after my original sharing-impulse or micro-news hunger has expired. Yes: a fresh entrant to this category of Indomitably Easy Activities.)

But I am writing now.

I sit upstairs at a high-end supermarket called Farm Boy. It’s across the street from Tom the Mechanic, where my wheels are getting readied for summer. Breakfast has merged into lunch. I like buying groceries and eating them at the store. There’s even a chance to be healthy. (-er)

(And yes, music historians, the title was a pop lyric, too. I now have Spotify³ on my phone. Most of my downloads are decades old, but surely “To Pimp a Butterfly” will join my invisible milk-crate library.)

It’s my mother’s birthday, and I’ll cry if I want to. I don’t think I will, though. She’s been gone 10 years now, and I’m easy about it. I will admit, though: when I went by the asparagus downstairs in the produce department, I pronounced it “Ass-per-AG-us” in my head, because that’s what Enid just about unfailingly called it. She was never a teacher – heck, never went to university, why would she? She was female! – but reliably pronounced words in such a way as to make their spelling graspable. “Skizzers” for scissors, “fatty-goo” for fatigue, and so on and on. Whether this was with her five kids’ spelling tests in mind – we all aced ‘em, always – or just a mock-fashionable bit of extreme word-nerdery, I couldn’t say. Ennyhoo, as she also serially concluded: Hi, Mum. You had an effect.

Mum was a Christian, less nervous about death than about tidying up before Mrs. Adams, our housekeeper, got to our place for a weekly clean. She was ecumenical before it was cool, absolutely friendly with those Presbyterians and United Churchers, and dismissive of attempts by an earnest young Baptist pastor to condemn her weekly bridge games as the devil’s playground. When one of her sons was allegedly barred access to the gates of heaven because of consorting with Baha’is, she sniffed, “Well, it won’t be much of a heaven for me if my kids can’t go there.” She hated confrontation, but as I recall it, her comment snuffed that pseudo-theological debate right quick.

Maybe my mother would have liked Benjamin Sledge. I don’t know Mr. Sledge, but in the way of Internet Things I read a blog post of his on a stealth-Christian site called Heart Support. In the article, “Let’s Stop Pretending Christianity is Actually Relevant, Okay?”, Sledge jumps from the Vans Warped Tour (a travelling rock music fest with faithful underpinnings) to 2nd-century Rome, and then back to a moral landscape – modern America – that obviously troubles him. What troubles him most? “Christians”, mainly, both the mainstream don’t give it a second thought kind, on one hand, and the minority have you accepted Jesus Christ as your Lord and Saviour and hated gays and abortionists enough? brand. It’s unclear which type is the supreme irritant, but he “welcomes”, actually seems to long for, the growing irrelevance of the Christian faith in modern America. He prefers the heroic, supremely loving and sacrificial expressions of the Gospel that he finds in early Roman history, the reason Christianity originally achieved a civilizing groundswell of popularity in the centuries following the life of Jesus. Ennyhoo: you can read the piece yourself. It’s quite refreshing, especially if you reflexively shudder at the excesses of faith-gone-political. It’s not that, not at all. It gives Christianity a good name, actually.

I’m writing in a Farm Boy supermarket, and yes, it’s been awhile since I got anything Out There. And Mr. Sledge has been pleasantly irritating me: a small snippet of the “Relevant” piece has been a brain-worm, burrowing about because of its significance and its craftiness. So thoughtful and cleverly written it was, in fact, that I Actually Wrote It Down in my sorely neglected paper’n’pen journal, as well as a handy just-in-case-I-get-the-typing-itch Word doc. Sledge refers to a simple, under-acknowledged bit of cultural oddness: people hitting other humans over the head with a book they consider Holy, the Bible. Who DOES that? he basically asks. And what in the world do they think they’re DOING?

“It’s a strange practice to ask people who don’t hold the same beliefs as you to conform to your morals because you quoted a book they don’t read.”

Not bad, eh? One thing I’ve loved about the Baha’is is that they bend over frontwards and backwards to avoid using sacred writings as hammers. Another story.

It’s good to write. Sledge’s article did come my way via Twitter – not that there’s anything wrong with that — but reasoned faith and my mother’s ever-living example (for example), are far less momentary. And all these things — along with old tunes, and squeaky-cheese curds ‘n’ apples for lunch, and sunshine on a day of swapping out the snow tires — got stirred into a bloggy stew. I feel good! Like I knew that I would.₄

And if you’re a long-time reader here, thanks for sticking around. I know this could have gone in the He Said/ She Said section, but as I said:

It’s my party.

¹ “Memories Can’t Wait”, by Talking Heads, from their 1979 album Fear of Music. Spooky good. I like old music, but this doesn’t even feel dated.
² “It’s My Party”. It’s the 1963 Lesley Gore version that I hear, one of my big sisters’ 45s. Quincy Jones’s first big hit, the writer learned!
³ Spotify is tremendous, but I still haven’t given away my vinyl yet, even if it’s no longer in milk crates that I can hunch over as I read liner notes and enjoy album art. I miss the bigness and tangibility of LPs, not gonna lie.
₄ James Brown, of course! 1964. The horn break — da-dum da-dum da-dum DA — was included on the imaginary spoken-and-sung-word version of this post. First heard this on the 8-track player of my high school coach’s faux-wood-sided beat-up station wagon. That was a trip, Donny.

Start Spreadin’ the…

You asked for it.  (Photo by Getty Images)

You asked for it.
(Photo by Getty Images)

WHAT, spreading the NEWS? (I hear you, Mr. Sinatra.) It IS big news this morning.

…rumours? Everybody has his theory, everyone has her opinion. They’re like anuses, as the saying is.

…wings? A new freedom for the ordinary people of America? The victory of the Little Guy against the Political Elites? (How a millionaire’s son convinced millions that he is One of Them is breathtaking stuff, people.)

um, other sorts of wings? Air Canada B&B? Should I be advertising the small extra bedroom in my basement at inflated prices? Are the promised (or threatened?) refugees from this American election already lining up to emigrate to the Civilized North?

…fear and alarm? Ladies and gentlemen: President Trump! And listen: never doubt the ability of frightened people to do things against their own best interests.

…spreadin’ the Jello™? I remember a time when Bill Cosby was the Biggest Joker and not the Supreme Punchline, and this morning I recall his “Chickenheart” bit. It was a long, woolly tale of his childhood, in which his solution to the delicious but overwhelming terror he felt at listening to scary tales on the radio was, yes, to smear Jello on the floor so that when the evil Chickenheart That Ate Philadelphia got to Cos’s place, he’d slip and fall down. Start smearin’ the goos… (If you still don’t get this reference, repeat that line to the tune of Paul Anka’s (Frank Sinatra’s) “New York, New York”, where Hillary Clinton is even now binge-eating Ben & Jerry’s in her fuzzy Barbie pyjamas.)

 ***

Yeah, I’m shuddering, shaking my head in disbelief, pulling out my copy of Charles Pierce’s Idiot America (of which, here is “premise no. 3”: “Anything can be true if someone says it loud enough”). Pierce’s book wasn’t intended to say that all Americans are dumb, though my scary radio show in Ottawa this morning was filled with Canadians incredulizing ả la “How could they elect somebody like that? How could they be so stoopid?” And I go back to 1960s Cosby, when he links the Chickenheart story to another long childhood reminiscence of what happens to an innocent wino who gets run over by a wildly spooked Fat Albert. In the hospital emergency room of Cosby’s ridiculously funny (and rather sweet) story, his Jello-stained father commiserates with the steam-rolled wino, agreeing that terrified people are pretty hard to deal with…

So I’m whistling in the dark. I’m writing headlines, some of which amuse me.

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Guided Tour, Subscription Drive, and a Birthday Bucket

One of these little people was me. (Aren't white babies CUTE?) This is just a nudge to read below-the-page-break.

One of these little people was me. (I am the upright one, but I’m not sure I want to know what was in my mouth, either.) This is just a nudge to encourage you to continue below the Read-More button. Trust me: we’re still cute.

[8-minute read if you love me, 3 if you’re still not sure. This will soon make sense to you.]

August is yearning to become September. The world wants to go back to school. (I do, don’t you?) Naturally, every time I prepare to post something here on JHdotCOM, I do go back to school, figuring out some of what I think I think and what I’m nearly sure that I feel. To “see what I say,” as one writer put it.

What immediately follows is a guided tour¹ of this virtual place — good to see you! make yourself at home! and a shameless attempt to nudge you into subscribing to the writing I scatter around it. See the command in the upper right corner? Don’t be afraid to obey it. Thanks for coming. (And please remember to shut the door when you leave.)

¹ Wait, you’re an old friend? Skip down to the ‘Read More’ button if you already know your way around. I had an August birthday. I wrote about it, and have decided to share some of my restlessness, doubt and inextinguishable intentions. You’re welcome.

So, THE TOUR:

Just below where you are right now – in the “At First Glance” section of the site – I most recently was reporting on someone about whom I’ll write more, or call me a procrastinator. (Quick! This is an emergency — get this man a procrastinator!) Marilynne Robinson is a superb writer of luminous and sharply spirited fiction and coolly brilliant essays on everything from science and religion to the culture of fear. (Libraries. Writing. Democracy. Liberty. Grace, too.²) And farther down the “AFG” queue is another sort of celebration: the appearance of my 700th Web-log post. [UPDATE: Not long after this post, the site registered its 30,000th page view, which could be construed as a YUUUGGE number. Just yuge.]

² Bonus points if you got the Tragically Hip song reference there. Your reward is in your heart.

Over yonder on the right, in the “It’s All About Sports!” section (just below the SO EASY TO SUBSCRIBE IT MIGHT AS WELL BE FREE area), I wrote earlier in August about Ottawa’s Carleton University and its brilliant, undersung dynasty of a men’s basketball program, after the Ravens had chaffed the Wichita State Shockers. There, I predicted that the Ravens would finish 6-0 against their American NCAA guests. Last night, they proved me right with their second conquest of the St. Thomas Aquinas Spartans from downstate New York. I also wrote, and not for the first time, about the wondrous women of Canada’s Olympic Team in Rio de Janeiro. (Hey, that’s all over now, isn’t it!)

Just below my playground excitements is a collection called “He Said/She Said”, which doesn’t just fire out an endless stream of out-of-context bons mots but meditates on them. (Marilynne Robinson will be making more appearances there.) I just shared a beauty on solitude from American writer Fenton Johnson, and as usual tried to set it up so that readers know where it came from and why it got my attention. And just before THAT, I quoted something profoundly simple from the dying (but not fading away) Canadian rock idol/poetic conscience Gord Downie of the band The Tragically Hip. They just played what is likely their last concert together, and (most of) a nation is still talking about it over a week later.

The fourth and last section, “On Second Thought”, doesn’t get frequent treatment, but I did throw in some Howdy Poetry about a month back, which is a rarity (and not only because it references my long-departed Dad). “OST” is generally for pieces that I’ve sweated over for longer periods.

And would you consider, now that you know your way around, subscribing to this thing? ‘Cause it’s so easy and FREE and everything. Okay, no more nagging.

TOUR ENDS.

And now here’s the Birthday Thing, which got away from me. I was surprised how personal it became – I blame my little sister as much as possible, have from her cradle days – and so you may or may not be keen to carry on. As Neil Gaiman sometimes warns of his blog posts, Contains ME. This has quite a LOT of (possibly self-absorbed) me, actually, but I decided to run it here below the “Are You SURE You Want to Read More of This Stuff?” break. Some of you may identify with the daunting feeling of Another Trip ‘Round the Sun, another non-youthful number attached to your biographical file. Birthday Blues. This one hit me hard, about two thirds of the way through August, right when and how I was afraid it might.

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Everything’s Coming Up *Marilynne*

[5-minute read]
Robinson receives the National Humanities Medal from Obama in 2012.

Robinson receives the National Humanities Medal from Obama in 2012.

#ObamasFavoriteWriter is the most reductive, semi-dismissive and ‘Net-friendly way to capsulize her, so I won’t. (Um…)

Let’s start this way: Before 2016, I had never heard of Marilynne Robinson, or at least her name never stuck to my brain casing. Now, I have read all four of her novels, listened to a lecture and two interviews, and read and re-read her Paris Review discussion and one book of essays while ploughing through a second, which was my main accomplishment yesterday and the day before. I think about her work, and about her – where does such a person come from? – constantly. I find myself pestering everybody I like whom I consider might be even a remote candidate to read her. She’s a glorious read.

It started with Phyllis¹. She is a retired university prof who decided, as one of her several voluntary teach-ins, to start a book-club looking at great modern fiction with spiritual themes and underpinnings — as if such literature could actually be found in what often seems to be a doubtful, jaggedly ironic and chronically disillusioned age. Surprise! It can be! Phyllis knew where to look. And so, I got to be the token male among a dozen-and-a-half thoughtful, quietly eager book-types. We read Louise Erdrich and Bahiyyih Nakhjavani and the conversations were fun and light-shedding.

¹ Nobody names a daughter Phyllis anymore, yet once upon an old time it was a beautiful name suggestive of green leaves and ancient Greek loyalty and goddess-love. Not bad, Phyll!

But mostly, we careened off on a helpless Marilynne Robinson jag. We couldn’t stop. We didn’t include her 1980 first novel, Housekeeping, which brought her critical praise and a “writers’ writer” designation and a faculty position at the University of Iowa. (I went back and read that one on my own, after I’d finished her Iowa-based sort of a trilogy but not really.) Our little group pulled its chairs up in a circle and started talking about Robinson’s Pulitzer Prize-winning Gilead, which had stunned me and shaken the ground of American fiction at its 2004 publication – not that I noticed! (I show up late to some of the very best parties.)

Gilead came nearly a quarter-century after Housekeeping. I remember Frank McCourt’s reaction to questions about how late in his life his “overnight success” had come. (His 1996 memoir, Angela’s Ashes, was an international publishing sensation; he was well into his 60s when it came out.) “I was TEACHING,” he wrote, “that’s why it took so long!”² Robinson might give the same explanation, as she is a long-time faculty member of the legendary Iowa writers workshop. However, she has said in interviews that, not wanting to contribute shallow or derivative novels to the stream of American literature, she wanted to read. And think, as well as teach. And well she did, and does. She is a profound scholar: history, literature, religion, philosophy. Gilead, far from being a work that she laboured over for the intervening decades, came to her quite quickly in the voice of John Ames, a rural Iowa pastor.

² Ever grateful, I am, for McCourt’s lesser-known third book Teacher Man, an in-depth account of his locally legendary career as a high school English teacher in New York City. My review of Teacher Man has a special place, one of the few JHdotCOM pieces to run elsewhere before it ran here, and as a free-lance piece for which I Actually Got Paid.
The NY Times review is worth a read, if you're hungry.

The NY Times review is worth a read, if you’re hungry.

As I read Gilead, I kept asking myself, How is Robinson doing this? How can a novel about a Christian minister in a nowhere town even get published, let alone be this gripping and so smartly written? Simply put, it is a literary miracle, and our little group couldn’t stop, since neither could Ms. Robinson. She wrote Gilead – it is a tiny actual town in Iowa – as the letter that the aging Pastor Ames writes to his young son, the product of a strange, late and utterly unexpected marriage to a much younger woman. Ames wants to explain himself before he dies, so that the boy will, when he comes of age, know something of his departed father. As a novelistic result, so do we, as well as making other compelling acquaintances  of the imaginary kind: Ames’s young wife Lila, his lifelong friend and intellectual sparring partner Robert Boughton, and Boughton’s troubled and troublesome son Jack. Robinson couldn’t get enough of these characters either, to our good luck and delight.

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Hundreds! The 700 Club. Double Century Descending. And Other Not Really News.

Twitter made this just for me. Thanks, Twitter!

Twitter made this just for me. Thanks, Twitter!

[2.5-minute read.]

It’s a day of hundreds, centuries, and numerical landmarks that end in double zeroes. (N.B. Not *that* 700 Club. Relax.) Because hundreds! Because, why NOT? Because you’ll see, that’s why! [UPDATE: And thousands, too, ‘cuz ’bout a month after this breathless report, JHdotCOM — this humble effusion of my thinkings — hit its 30,000th page view, which sounds like a lot. (If I cut back on the thinkings.)]

The 100. This is a TV show I have never seen, and only know because I follow a guy on Twitter who’s brilliant but weirdly seduced by gobs and gobs of television. What’s more: a hundred? In the folly of my middle age, I feel I want to live to that age, partly because I’m afraid of missing out on grandchildren if I don’t¹, partly because though allegedly a man of faith I’m afraid to croak, and principally because my hero, the basketball coaching legend John Wooden, fell a few months short and I’d like to do something he couldn’t pull off. When he died in 2010, I was a long way from L.A., and my bucket list was one large item lighter.

¹ Well, of course this is a shot at my sons!

200. TWO HUNDRED? Before this blog existed, somewhere around the turn of the century, I hit two hundred pounds for the first time ‘round, and it hit me back. Hard. I found the never-published chronicle of my comical lard-based dismay a couple of years ago, when I was flirting (again! still!) with that flagstaff of fatness, and included it in a 2014 blog-post. My China years of playing basketball, walking everywhere, and reduced access to my preferred vices had gotten me down. Weightwise, that is. Sometime this past year, I cow-tipped my new scales at 200 again, and it ticked me off, so I instantly did nothing about it.

HOWEVER! This very morning, friends and strangers and aliens and all my flat-bellied players, my scales said THIS: 199.5  (Pounds, that is.) So: YES!! And ‘BOUT FRIGGIN’ TIME!! And more brave muttering about how this is just the start and I can DO this and old-guy underwear ads, here I come! and so on. And Bruce Springsteen started singing in my head, so that’s good, too, though I think he had a different kind of descent in mind.

300. I refused to see the movie, and I still think it was crap. * he limps off to growl at children* But I was a pretty consistent .300 hitter in my bat-swinging days. *he prepares to launch into “boring stories of / Glory days…*   Springsteen’s everywhere today.

400. It has been four centuries since Shakespeare died. So whatcha gonna DO about it?

500. Nothing to say about this number, except that it’s linked to Fortune, which is a fickle and ephemeral thing (and I haven’t made mine yet but this blog post could change all that).

600. Tennyson, anyone?

(Give yourself a banana split if you guessed “The Charge of the Light Brigade”.)

“…’Forward, the Light Brigade!’ / Was there a man dismayed? / Not though the soldier knew / Someone had blundered. / Theirs not to make reply, / Theirs not to reason why, / Theirs but to do and die. / Into the valley of Death / Rode the six hundred…” Because poetry.

700. SEVEN. HUNDRED. BLURTS. SEVEN HUNDRED! (In which the bloggish typist finally gets around to the point of what this post is, sort of, about. Don’t miss it!!)

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